A Quote by Brenda Lee
I dont think you ever get tired of the well-written, well-crafted songs.
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I don't think you ever get tired of the well-written, well-crafted songs.
I think, ever since I started doing well commercially, it's always been like, 'Oh, well, you're only where you are because of your dad, and it must be because of Mark Ronson and Greg Kurstin that you do well.' It's just everyone apart from me is responsible for the songs that I've written selling millions around the world.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script.
You know that something is really well written when you have to think so little about the words that are coming out of your mouth and you're able to dwell in your own headspace to get there. It's very easy to recall and remember because it's written so well.
All those songs are totally timeless. They'll always stand up because they came from a real place. They weren't crafted songs. They were written from the heart.
Well, over the years, I've developed a stable of songs of which I'm known for and never get tired of singing.
I don't own an ABBA album, and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
Only sing - don't do cheap songs, don't do silly songs, just do, just do wonderful songs that are well-written.
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
When script is written well, then you start to make decisions of, "Well, do I want to be away from home for that long? Do I like the people involved?" When it's written well, a lot of those things go away and you can't not do it.
The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months.
I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.
Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
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