A Quote by Brenda Lee

The word matters in country music, and it always has. And everybody had lived those words in country songs. — © Brenda Lee
The word matters in country music, and it always has. And everybody had lived those words in country songs.
I do think I'm country, but your definition of that word might be different from my definition. In my opinion, country music, the sound of country, has always evolved. But the one thing that has not changed is the story element. And I think country songs are truthful songs about life written by country people.
I love country music so much. I love all kinds of music. But when it comes down to it, I'm from East Tennessee, and country melodies and country songs have always just sliced me in the heart.
On 'American Idol,' I felt like one of my challenges was picking songs because I've definitely been exposed to a lot of music. So when I went to pick songs, it was difficult for me to choose, but I'd always go to country because country music is so memorable.
Everybody has their favorite sad songs. That's part of what I love so much about country music. Country music is never afraid to go with a sad song.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
I was writing country songs, but I wasn't listening to country yet. I grew up on a farm in East Tennessee, so my roots are country, you know? But I didn't know where those songs came from or where they fit.
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
Whenever I'd go anywhere with my dad - in his 1980 burgundy Dodge Ram - he'd always listen to mix tapes of country-music stars like Garth Brooks, Clint Black and Willie Nelson. Those were the first songs I ever learned the words to.
I have always been infatuated with country music. Country music tells stories, and I've always loved to tell stories. I said that when I establish myself as an artist that can do pretty much anything I want to do in music, I'm going to make a country album.
I grew up in Nashville, born and raised. I'm a country girl, and I love country music. I had a dream I was going to be the first black female country music star, but then that wasn't the case.
Before the word gay had really been invented, was there's no such thing. Only a country, basically as mindless about these matters - based upon our peasant superstitions, religious superstitions - would they make categories. Everybody's everything.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
I found when I started getting serious about writing music, that my writing was country songs. It was basically country subject matter, country melodies and simple chord changes.
I love all kinds of music, and I would write really traditional country songs and songs that were just really out there, that didn't sound country at all, and everything in between.
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