A Quote by Brenda Lee

'I'm Sorry' was one of the first songs to come out of Nashville using strings. — © Brenda Lee
'I'm Sorry' was one of the first songs to come out of Nashville using strings.
Im Sorry was one of the first songs to come out of Nashville using strings.
Open Wings - Broken Strings is an opportunity for you to get to the heart of your favorite artists and their songs in a unique and compelling way. Stripped down, intimate and acoustic, you'll hear the strings on the guitar vibrate and buzz, the vocal chords hum and pulsate as the songs you love come to life like you never knew they could.
The result was the same as tuning down the strings by a semitone and using a capo at the first fret. With less tension in the strings, the sound was more mellow and softer; it also allowed me to cover a larger span of the fingerboard. I used this for quite a few years, but eventually I went back to the standard fingerboard.
I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places.
I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.
First, the newcomers are eager to come in front of the camera, and later they are like, 'No, sorry, sorry, no pictures'. What is this? I say fame is a very dangerous and bitter thing.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
The most entertaining songs don't always come from a nice place. In songs where I think I'm being really sensitive, they seem quite boring actually. I've found that the songs that come out of nastier, more misanthropic places are better.
When I first got to Nashville, somebody said that [Kris Kristofferson and I] were the only two people who could describe Dolly Parton without using their hands.
Strings have been a part of my career and my albums since the very first day. 'Snowbird' had beautiful strings.
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
I live on eight acres out in the country in Nashville, and it gets creepy and foggy. It's the best atmosphere to write songs.
I have a natural instinct to feel guilty and that I've let people down. I've apologized in more songs than 'Back to the Shack.' Going back to our second record, the closing lines are 'I'm sorry, I'm sorry, I'm sorry.' It's definitely part of my personality.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.
This site uses cookies to ensure you get the best experience. More info...
Got it!