A Quote by Brenda Strong
There are a lot of people who dream of overnight success, of being Brad Pitt getting discovered for 'Thelma and Louise,' but that doesn't always happen. I represent that stick-to-it-ness that it takes to build a career over time, guest spot by guest spot. Looking back from here, I wouldn't have wanted the journey to go any other way.
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One thing about 'Thelma & Louise' we can't forget: Brad Pitt. Oh, yes.
I had told my agents that I didn't want to do television. I can't believe I had that gall, looking back on it. I would never condescend to do TV, and then 'Taxi' called up for a guest spot in the first season. And my common sense kind of took over, I guess.
I remember taking great pride in making Brad Pitt laugh. I always had a soft spot for him. He's such a sweet, sweet man.
I would love do a guest spot on 'Castle' because Nathan Fillion is so dreamy, and he and I are friends. And I think we could have a lot of fun.
I would love do a guest spot on Castle because Nathan Fillion is so dreamy, and he and I are friends. And I think we could have a lot of fun.
That would be a huge honor, if I ever were to become the No. 1 American. It's something that I've always wanted to, you know, achieve that. For me, if were to happen, it'd be great. I'd try to hold onto that spot as long as possible, but I know there'd be a lot of people nipping at my heels to try to get to that No. 1 spot.
I love Chuck Lorre. I did a little guest spot on 'Roseanne' when I was fourteen. It was a whirlwind experience in a week and I think with Chuck, I had auditioned for him for a couple of other shows of his over the years.
I've always been a guy who comes in not being guaranteed a spot and always fighting for a spot. Any time you're in a camp, and you're not a big money guy, you're always going to be competing for a job.
I do like to live in other people's homes. I enjoy being a guest. I am an inexpensive guest. When one lives in another's home he can enter into the psychic kingdom of that person.
If you're going to do a guest spot on television, they need bodies on those procedural TV shows. You've got to keep working, and that's where a lot of the work is.
Brad Pitt is so good-looking there's a lightbulb inside of him shooting good-looking-ness in all directions.
It is equally wrong to speed a guest who does not want to go, and to keep one back who is eager. You ought to make welcome the present guest, and send forth the one who wishes to go.
It is equally bad when one speeds on the guest unwilling to go, and when he holds back one who is hastening. Rather one should befriend the guest who is there, but speed him when he wishes.
I ended up living at OJ's because Nicole bought a home that no longer had a guest house. OJ offered his guest house to me. Anybody in LA looking for a place knows the best places to live are guest houses.
The camera must point at the exact spot the audience wishes to look at any given moment. To find that spot is absurdly easy: you only have to remember where you were looking at the time the scene was made.
But also, the guest workers program, it's quite often misused, meaning people could come in as part of a guest workers program and after two weeks in the fields, they'd run off to do every other kind of job that isn't covered by a guest workers program.
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