A Quote by Brendan Behan

Shakespeare said pretty well everything and what he left out, James Joyce, with a judge from meself, put in. — © Brendan Behan
Shakespeare said pretty well everything and what he left out, James Joyce, with a judge from meself, put in.
A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair. James, what’s wrong?' the friend asked. 'Is it the work?' Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isn’t it always? How many words did you get today?' the friend pursued. Joyce (still in despair, still sprawled facedown on his desk): 'Seven.' Seven? But James… that’s good, at least for you.' Yes,' Joyce said, finally looking up. 'I suppose it is… but I don’t know what order they go in!
I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.
Once an actor told me he went to the Shakespeare School of Acting, and I said, 'I went to the Shakespeare of Acting, too' and he said, 'Oh really?' And I said, 'I went to Shakespeare Elementary School in Chicago.' He didn't take the joke well, he didn't laugh and didn't think it was funny - I thought it was funny. It's all the same to me.
Bottled, was he?" Said Colonel Bantry, with an Englishman's sympathy for alcoholic excess. "Oh, well, can't judge a fellow by what he does when he's drunk? When I was at Cambridge, I remember I put a certain utensil - well - well, nevermind.
They just brought it up to me and said, 'Hey, this is what we're going to do.' They're going to put out a section and call it Judge's Chambers and give them little judge outfits, and we'll see what happens. I think it turned out great.
Chuck Norris doesn't need to understand the work of James Joyce; James Joyce needs to understand the work of Chuck Norris.
When we come to judge others it is not by ourselves as we really are that we judge them, but by an image that we have formed of ourselves from which we have left out everything that offends our vanity or would discredit us in the eyes of the world.
Genius still means to me, in my Russian fastidiousness and pride of phrase, a unique dazzling gift. The gift of James Joyce, and not the talent of Henry James.
James Joyce is a cul-de-sac. [Ulysses is] ... an example how literature branched out and went into, lost itself in nowhere, no man's land.
I'm a postmodern commentator, and so, in a cheeky parallel to James Joyce or James Kelman, I get to places, verbally, that are a little unusual - when I talk about Jocky Wilson and end up sounding like a Jackson Pollock of the commentary box.
Interesting choice," Sullivan said. He slid his gaze over to Paul, who was drumming his fingers on the table in a manic, caffeine-inspired way and blinking a lot. Paul wasn't out-and-out singing along with the king of the dead, but he might as well have put out a big neon sign saying "How's My Driving? Ask Me About My Nerves: 1-800-WIG-N-OUT." --James
The censors have always had a field day with James Joyce, specifically with 'Ulysses,' but also with his other writings. The conventional wisdom is that this is because of sexually explicit passages (and there certainly are those). I have always thought that what the critics hated and feared about Joyce is his cry for human freedom.
Jock Semple said "Oh the women ran well today the Boston Marathon and they deserve to be in the race." I had to laugh. I said "Well it took us five years but anyway, we're here." It pretty much changed everything.
I read James Joyce's short story 'The Dead,' and I love that movie for many reasons. It was the last film I made with my father, and it's emotional for me as well as a movie I'm proud of.
I moved from Denmark to America. I left my family. I left my school. I left my friends. And it was basically to pursue my career, and I didn't know if it was going to work out. So that was very scary to leave everything and just put everything into a whole new thing where you don't know if you're going to make it or not. But I think I'm doing good.
The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.
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