A Quote by Brendan Coyle

I see myself as a performer and that applies to a Greek drama or a modern comedy. — © Brendan Coyle
I see myself as a performer and that applies to a Greek drama or a modern comedy.
I think great humor lies in playing the truth of a situation. I see myself as a performer and that applies to a Greek drama or a modern comedy.
Having written both comedy and drama, comedy's harder because the fear of failure's so much stronger. When you write a scene and you see it cut together, and it doesn't make you laugh, it hurts in a way that failed drama doesn't. Failed drama, it's all, 'That's not that compelling,' but failed comedy just lays there.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
People seem to want to give 'Flowers' a comedy or a comedy-drama label. I suppose it's closer to comedy-drama, but it feels like it requires a whole new definition all of its own.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it.
I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.
Greek mathematics is the real thing. The Greeks first spoke a language which modern mathematicians can understand... So Greek mathematics is 'permanent', more permanent even than Greek literature.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I think we all have a similar philosophy about comedy and comic performance which is that it's at its best when you can see the pleasure the performer has, when you can see a glimmer in the eye.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
There's timing in drama. You have to have a sense of rhythm. But the real thing that lends yourself to drama as opposed to comedy is a sense from the audience of whether there's more to it than you can see.
When I watch comedy I love to see that pleasure in the performer's eye and that sense of cheek - and even those moments when you can see someone is trying not to laugh.
People think comedians don't do drama. Comics are drama. And what is drama, as opposed to comedy? It's all the same to me.
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