A Quote by Brendan Coyle

I think great humor lies in playing the truth of a situation. I see myself as a performer and that applies to a Greek drama or a modern comedy. — © Brendan Coyle
I think great humor lies in playing the truth of a situation. I see myself as a performer and that applies to a Greek drama or a modern comedy.
I see myself as a performer and that applies to a Greek drama or a modern comedy.
I think great humor lies in playing the truth of a situation.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
The secret to comedy is not playing the comedy, but actually playing the situation, playing the drama of it.
I've always been taught to just play the truth of the situation. If comedy comes out of that, or drama, whatever comes out of it, at least I'm playing the truth of the moment-to-moment reality.
I think it's true of every great comedy that it's rooted in some dramatic, incredibly personal truth. And it's true of all great drama that there has to be comedy.
As far as how I approach the humor, I think the best comedy is going to happen when I'm myself and act organically to a news item or situation.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
In comedy, you have to do all of the same stuff you do in drama and then put the comedy on top of it. You, the actor, are aware of the comedy but the character is oblivious. And you have to have a sense of humor.
And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.
Having written both comedy and drama, comedy's harder because the fear of failure's so much stronger. When you write a scene and you see it cut together, and it doesn't make you laugh, it hurts in a way that failed drama doesn't. Failed drama, it's all, 'That's not that compelling,' but failed comedy just lays there.
I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.
I think everything needs to be played real, for reality's sake, for truth. And that is the drama and the comedy. When you do that, it's funnier. And when you do that, you really do hit the emotional beats. I do it the same way as I do a drama. I just play it for truth, and then maybe have a little bit of fun with it sometimes.
If you’ve got the comedy eye, you can look at any situation and see the humor in it while others don’t.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
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