A Quote by Brendan Coyle
Sometimes I think I missed out on things like travelling. I'd have been terrified of missing an audition. I didn't start a family because that's not something I take lightly. Acting meant so much to me.
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Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
That no matter what i did, I would always be missing something else. And the only way to live, the only way to be happy, was to make sure the things I didn't miss meant more to me than the things I missed.
When you start out acting, you dream of getting an agent and getting a job. For years, you audition and you get what you can. Choice isn't something that you have much of.
One must take things lightly, after all, we are entertainers and acting isn't rocket science. The trick is, not to take criticism to the heart or analyse things too much.
Between acting jobs, I'd go visit my hometown and college town to see family and friends. But I would also teach acting, dance, singing, and audition techniques in high schools and colleges. I take great pride in all the survival jobs I worked, because I learned so much from them.
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
At this point, I've really failed at a lot of things. It's nice to be able to say that, in a way. I've failed at music. I've failed at dance. And acting - there have been times when I went out and read lines to audition for acting parts. I believe that if anybody wrangled together those audition tapes, it would be pretty hysterically funny.
Fashion is something that brought me closer to my family as I grew up. It's something that was deep inside me, in my roots, and I started taking more interest as I grew older because it reminded me of my mother and my grandmother. It's not something I take lightly, and I'm going to be open about it.
Growing up in my family meant ambushes on your birthday, crossbows for Christmas, and games of dodge ball where the balls were occasionally rigged to explode. It also meant learning how to work your way out of a wide variety of death traps. Failure to get loose on your own could lead to missing dinner, or worse, being forced to admit that you missed dinner because your baby sister had tied you to the couch. Again.
I definitely devote so much more time to acting, but since it only takes a day or two to shoot and get pictures out - whereas for acting, you do an audition, or loads, and you might not get any of them - so I did the modeling stuff because, obviously, if I have the opportunity, I'm going to take it.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.
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