A Quote by Brendan Fraser

I think you have to show homage to creators. — © Brendan Fraser
I think you have to show homage to creators.
One of the things I'm excited about is the observation that gamers are creators and creators are gamers too. We used to think of creators as workstation customers and think of gamers as consumers.
The fans have access to the show and the creators, even if it's not direct. I don't know any television creators that don't follow the message boards. The feedback is so immediate, to see what is working and what isn't, and what's working better than you anticipated.
We are the creators, not only of our own destiny, but ultimately we are the creators of universal destiny. We are the creators of the universe.
We have so many fantastic creators - female creators as well as male creators that have their own followings, their own fans, and their own books that are successful.
The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
Creators of content on the Internet are very commonly creators of community. Often times, this community is the most interesting and the most valuable part of making stuff, and many creators require that relationship to inspire them to make stuff.
I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
My favourite song is Someone To Love. That is more like me than the other stuff, as it was the only one I was actually able to create from the bottom up. I call it an homage, not a remake. It is an homage to Freddie Mercury, because I don't think people can really remake Freddie Mercury. That's why we did a gospel version.
When I'm working in America, I wake up with an American accent and stay with it all day till makeup comes off. I just want everyone to be at ease, and not have the show's creators think, 'Oh my god, he's so English, why did we hire him?'
Creators are what bring the eyeballs to platforms, and vice versa. Sort of a chicken-and-egg thing, because you can't have creators and no platform.
The difference between famous creators and struggling artists is that the creators know that improving the lives of others deserves the highest reward.
When I sat down with the creators of the show [Longmire], back when we were first starting to do the pilot, Branch was not that interesting on the page. What really sold me on the show and the character was their vision for him. It took the whole first season to flesh him out.
When I use a name or place, I want to leave the reader open to the waterfall of determinacy that it may provoke. And I don't know, but I must mention the name Borges. I try to mention it in every one of my works. It's a mark, a stamp, a sort of homage to Argentinidad. But it's an homage that works through pat phrases, those stock images that populate his work: the night, labyrinths, libraries. That is, I don't want simply to pay homage to Borges, but rather the contrary: to recall his commonplaces.
If I heard there was a new show, and the creators were writing about how they met, I would be like, "Pass!"
The editors and the creators of 'The Bachelor' and 'The Bachelorette,' they are so good at casting and at finding these young, beautiful lunatics to go on the show.
The Grateful Dead are our religion. This is a religion that doesn't pay homage to the God that all the other religions pay homage to.
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