A Quote by Brendan Hunt
Any time I'm at a bar, I'm hoping somebody asks me about the offside rule. Give me four bottles of beer and one bottle of ketchup and I'm going to explain this to you so well because I love explaining soccer.
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I found that a couple of bottles of beer would give me a lift, but the third bottle would sober me up.
My mother always, always, always thought that I was going to be famous. Thought that I was going to win Oscars. In fact, I believe I accepted the Oscar as a ketchup bottle many a time in front of my mother in the kitchen. 'I'd like to thank the Academy,' I said with a ketchup bottle.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
I'd never go up to somebody and start preaching, but if somebody asks I'm willing to talk about it. Often, after people have seen me praying, they'll ask and it's a chance to show how normal prayer time is and why we do it, to teach people about the religion. Not to try to change them, but to explain.
I'm a four-time national champion and a two-time Olympian, and no one can take that away from me. So whatever people have to say about me, that's their own problem because I'm freaking proud of what I've done, and I'm not going to apologize for any of it.
Keep your libraries, your penal institutions, your insaneasylums... give me beer.You think man needs rule, he needs beer. The world does not need morals, it needs beer... The souls of men have been fed with indigestibles, but the soul could make use of beer.
Men love explaining things. But when he's explaining something and you already know that, it might be tempting to say 'I already know that.' Instead, have him explain it to you over and over again. It will make him feel useful and will give you some time to think about out how to avoid him in the future.
Somethin' like four thousand bottles have been thrown at me in my day but only about twenty ever hit me. That does not speak very well for the accuracy of the fans' throwing.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
When I started playing music at East Tennessee State University I would sit on a stool with a tip jar in front of me and play four hours a night at a college bar called Quarterback's Barbecue. I wasn't thinking about doing it for a living. I was just making enough money to go to Taco Bell every day. People were eating chips, drinking beer and not listening to me. I'd had three or four years of people ignoring me, and I'd kind of gotten used to it.
If somebody attacks me with words, I'm always like, Do you know me? Do you know me that well? Let's have a beer and talk about it.
If somebody attacks me with words, I'm always like, 'Do you know me? Do you know me that well? Let's have a beer and talk about it.'
I had a very easy time loving an audience. But when it's one-on-one with somebody, all I wanted to do was run away, because maybe they're going to want something from me I can't give, or they're going to hurt me.
My father was always pushing me to become a basketball player. In Africa, when you're a kid, every kid loves to play soccer, and I loved playing soccer. But my dad didn't want me playing soccer. He would joke, 'C'mon, man, you're too tall!' Then he promised me, 'If you start playing basketball, I'm going to give you my jersey.'
I don't wear a watch because I want my arms to weigh the same. So if somebody asks me what time it is, I have to tell them something that is going on. "What time is it, Mitch?" "Uh, that guy is eating a hamburger." "Shi*, I had to be somewhere..."
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
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