A Quote by Brendan Hunt

I all but literally had a conversation with myself of like, 'You have to stop thinking about 'Ted Lasso.' It's not healthy to think about 'Ted Lasso,' it's not going to happen, it's just not going to happen, man.'
The same thing that happened to Ted Lasso in the show, his expansion beyond those initial perceptions, happened to 'Ted Lasso,' the show. People thought it would be one thing, but no, it's a whole lot more.
One of the reasons I'm proud of the show and think it works is that as much as Ted is nice and he's kind and he's passionate, his troubles are real. He doesn't exist in a vacuum. The world of 'Ted Lasso' isn't a fairy tale.
Here's what I think is good about 'Ted Lasso' and what I'm proud of in it, as a writer: It's about kindness and teamwork and empathy, and being curious and not judgmental, but it does all of that through storytelling and plot.
Something I think is amazing about 'Ted Lasso,' and we didn't know if it would work, but it's funny when you think about it, in that it's quite unique, but from the responses that we're getting, it seems to be a show that people watch with their families.
'Ted Lasso' is a show about a guy who is ignorant - he doesn't know anything about football. But he's not arrogant and he's not shouting people down.
We knew that Ted Lasso was at least an optimistic guy and an enthusiastic guy, and the show was going to emanate from his energy.
'Ted Lasso' is many things, and I think at its worst, it's a show that is nice and shows that people can be kind and also funny.
One of the incredible things about doing a show like this is that Jason Sudeikis has it all mapped out in his head. I imagine it's a bit like the tattoos in 'Prison Break.' If you cut Jason open, it's probably like that, but with the story of 'Ted Lasso.'
Everyone wants to be better because of making 'Ted Lasso' and the way we make it.
I like the lasso of truth. There is something so beautiful about the fact that people have to tell the truth when they have the lasso around them. And it's not too violent.
So in 'Ted Lasso,' which is an American show but set in the UK and most of the cast are British, I think that's what's interesting and what was a risk and what worked: there are two sensibilities.
I don't like getting myself in hot water. But suddenly I find that every minute I have to stop and think about what I'm saying. I can see what's going to happen. I'm going to have to stop giving interviews because I'm always saying the wrong thing. I don't want that to happen.
I think one of the great things that Jason does, that 'Ted Lasso' does: the way that Jason leads is by delegating. He's really good at going, 'Here's what I think, but what do you think? Great. Awesome. Let's work that in, that sounds great.' It's a real collaborative process with him.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
The hesitancy that was felt by clubs before we actually shot the first one essentially went away as soon as they saw it. That has now worked as a real calling card for us because now the Premier League knows about 'Ted Lasso.'
I love the love that you see for 'Ted Lasso,' but there's also, I think, a kind of simplification of the show. Particularly from people who haven't seen it and are only aware of the hype and probably get annoyed with it.
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