A Quote by Brendan Hunt

The same thing that happened to Ted Lasso in the show, his expansion beyond those initial perceptions, happened to 'Ted Lasso,' the show. People thought it would be one thing, but no, it's a whole lot more.
One of the reasons I'm proud of the show and think it works is that as much as Ted is nice and he's kind and he's passionate, his troubles are real. He doesn't exist in a vacuum. The world of 'Ted Lasso' isn't a fairy tale.
I all but literally had a conversation with myself of like, 'You have to stop thinking about 'Ted Lasso.' It's not healthy to think about 'Ted Lasso,' it's not going to happen, it's just not going to happen, man.'
'Ted Lasso' is many things, and I think at its worst, it's a show that is nice and shows that people can be kind and also funny.
We knew that Ted Lasso was at least an optimistic guy and an enthusiastic guy, and the show was going to emanate from his energy.
'Ted Lasso' is a show about a guy who is ignorant - he doesn't know anything about football. But he's not arrogant and he's not shouting people down.
Something I think is amazing about 'Ted Lasso,' and we didn't know if it would work, but it's funny when you think about it, in that it's quite unique, but from the responses that we're getting, it seems to be a show that people watch with their families.
So in 'Ted Lasso,' which is an American show but set in the UK and most of the cast are British, I think that's what's interesting and what was a risk and what worked: there are two sensibilities.
I love the love that you see for 'Ted Lasso,' but there's also, I think, a kind of simplification of the show. Particularly from people who haven't seen it and are only aware of the hype and probably get annoyed with it.
One of the incredible things about doing a show like this is that Jason Sudeikis has it all mapped out in his head. I imagine it's a bit like the tattoos in 'Prison Break.' If you cut Jason open, it's probably like that, but with the story of 'Ted Lasso.'
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
Everyone wants to be better because of making 'Ted Lasso' and the way we make it.
Reverend Ted Haggard's followers still think he's not gay. I'm not kidding. In their world, there are no gay people. There are just straight people who are sinning. They don't want to do it, but the Devil makes them! He targets people like Reverend Ted. That's how it happened. The Devil got hold of Reverend Ted, and Ted said, 'Get thee behind me, Satan! And put it in, gently'.
You've heard this phrase and I don't think I understood it until I was making 'Ted Lasso,' this thing of 'the sandbox.' It's like we build the sandbox, we have the characters, we've got the action figures, and Season 2, we get to play with them and move them around.
I basically work all day on 'Soulmates' and then all night on Zoom on 'Ted Lasso,' and I can't complain because I appreciate how absolutely insanely lucky I am.
What's not fascinating about 'Wonder Woman?' She's powerful. She's strong. She gets her strength from other women. She kicks butt in the world. You know, she's bulletproof, which is appealing. But she also has the Lasso of Truth. That's the thing I would want most, that Lasso of Truth. Because in politics, it would be very handy.
Here's what I think is good about 'Ted Lasso' and what I'm proud of in it, as a writer: It's about kindness and teamwork and empathy, and being curious and not judgmental, but it does all of that through storytelling and plot.
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