A Quote by Brendan I. Koerner

According to tarot historian Gertrude Moakley, the cards' fanciful images - from the Fool to Death - were inspired by the costumed figures who participated in carnival parades.
I've had something sort of like angel cards where you pull out an angel card that turns out, like, grandmother was watching over me. And I believe, in some way, I haven't been brave enough to engage with tarot cards mostly because they always end on a bad note. I'm sure if I understood tarot cards more I wouldn't be as fearful.
If you look back in history, as the barbarians were invading the gates of Rome, people were consulting fortunetellers and worrying about the end of the world and all sorts of other apocalyptic notions. When the tsars were finally overthrown, they were all reading tarot cards even as the revolutionaries were banging at the gates.
In the Tarot deck, the Fool is depicted as a young man about to step off a cliff into empty air. Most people assume that the Fool will fall. But we don't see it happen, and a Fool doesn't know that he's subject to the laws of gravity. Against all odds, he just might float.
Tarot cards likely originated in northern Italy during the late 14th or early 15th century. The oldest surviving set, known as the Visconti-Sforza deck, was created for the Duke of Milan's family around 1440. The cards were used to play a bridge-like game known as tarocchi, popular at the time among nobles and other leisure lovers.
I can do Tarot cards and all that.
Tarot is just stories on cards.
Mystical groups such as the Theosophical Society and the Rosicrucians turned tarot into an American fad during the early 1900s. Many American tarot practitioners use a set of cards known as the Waite-Smith deck, created in 1909 by A.E. Waite, a British member of the Hermetic Order of the Golden Dawn, and the artist Pamela Colman Smith.
But my estimates, for instance, based upon book information, were simply ridiculous, fanciful images of African attractions were soon dissipated, anticipated pleasures vanished, and all crude ideas began to resolve themselves into shape.
I can read the Tarot cards and believe in ghosts.
I'm not an expert in the deck at all. My interest lies somewhere near a sense that words are like tarot cards, and that a poem manipulates unpredictable depths with its words. . . . I like the tarot because it works like poetry and because you don't really have to 'believe in' anything. It's there to be used. The symbols are remarkably durable and beautiful; they float out to encompass all kinds of meanings.
[The General Staff] maintained three sets of casualty figures, one to fool the public, one to fool the Government and one to fool themselves.
Perhaps there is a reason that there is no fool piece on the chessboard. What action, a fool? What strategy, a fool? What use, a fool? Ah, but a fool resides in a deck of cards, a joker, sometimes two. Of no worth, of course. No real purpose. The appearance of a trump, but none of the power: Simply an instrument of chance. Only a dealer may give value to the joker.
I grew up with tarot cards and the reading of tea leaves.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
We don't have parades for mathematicians, we have parades for astronauts. You don't think about all the thousands of people who worked on that capsule and crunched the numbers and were integral in getting that into space.
We have now seen that there is no particle of evidence for the Egyptian origin of Tarot cards.
This site uses cookies to ensure you get the best experience. More info...
Got it!