A Quote by Brendan I. Koerner
Light rails are too bus-like to impress most commuters, too squished and close to the ground. Monorails, by contrast, strike a chord with travelers. There's something about the sleek designs, the pillowy rides, and the panoramic views that just enchants.
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To be able to impress, you have to get to this middle ground where you're not too advanced so it goes over people's heads, and you're not too minimalist where people think you're just trying to rob the game and not stretch out.
You deal with failure - strike, strike, strike - all the time. Acting is like that. You have to have a very thick skin in a way - your hair is too dark, you're too ugly for the part, your audition wasn't good.
There is something a little vulgar about writing a novel that is too close to the present, too concerned with current events, too eager to critique technological advancements.
The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.
...all I have to do is stay in between the lines and make sure that no one is too close to me and I am not too close to anyone and keep leaving. Maybe it felt like this for her, too, but I could never feel like this alone.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
I'm in the middle of just trying to impress my nieces, who think I work for the bus company because they saw a picture of me on a bus. I did an independent movie with Mark Pellington (I Melt with You), and then tried to impress my nieces again, by starring opposite Miley Cyrus (in So Undercover). So, basically I'm just trying to get some respect from my family.
The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.
Too much excitement, Your Majesty?” I asked. “He was standing too close.” “He was asking about Andrea.” “Too close. I didn’t like it.” Curran wrapped his arm around my shoulders and started walking, steering me away from the group. His Possessive Majesty in all of his glory.
That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
I would like travelers, especially American travelers, to travel in a way that broadens their perspective, because I think Americans tend to be some of the most ethnocentric people on the planet. It's not just Americans, it's the big countries. It's the biggest countries that tend to be ethnocentric or ugly. There are ugly Russians, ugly Germans, ugly Japanese and ugly Americans. You don't find ugly Belgians or ugly Bulgarians, they're just too small to think the world is their norm.
A scale is just the notes that are in a chord played one at a time instead of together. That's what has allowed me to go through the possible notes that work with a chord and make choices about which ones I like best. I go through by ear; you can do it by theory too, but the best way is to learn by ear.
Places like New York are just too intense, too much about money, too much about ambition; it's all too superficial for me.
I like acting too much and it's too, I'm just too busy doing that and I'm too hungry for it, to get behind the camera. I mean, unless I could act in it, too. I don't think I've got the right brain. I'm too disorganized.
Excuses are the explanations we use for hanging on to behaviors we don't like about ourselves; they are self-defeating behaviors we don't know how to change. InExcuses Begone! I review 18 of the most common excuses people use, such as "I'm too busy, too old, too fat, too scared or it's going to take too long or be too difficult."
The bus scares me. Way too many gross people on the bus. Sixty-five people on the bus and I was the last one on. I felt like calling Unsolved Mysteries. 'Yeah, I found everybody.
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