A Quote by Brendan Myers
Call it a case of observer bias on my part, but Humanist Paganism seems to be an emerging option for those who want to be part of the Pagan community, but who want to be a little more intellectual about their practices, and they really don't care about the 'woo' anymore.
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For those who struggle with anti-pagan prejudices and stereotypes, Humanist Paganism might be a powerful educational tool. It can show that a pagan can be a sophisticated, cosmopolitan, and enlightened person, and that a pagan culture can be artistically vibrant, environmentally conscious, intellectually stimulating, and socially just.
Being a Pagan without knowing much about Paganism is a bit silly, in the sense that you would probably have been a Pagan had you known more, but you could not really be because you only knew so much about it.
People don't know about the human part of me that really cares about the world. For instance, I don't know what I feel about wearing my furs anymore. I worked so hard to have a fur coat, and I don't want to wear it anymore because I'm so wrapped up in the animals. I have real deep thoughts about it because I care about the world and nature.
Women can learn a lot about a guy because women, for the most part, want a guy to care about their feelings, to be a guy that is responsible. Women want to attract you, but they want you to know more how they feel. When a guy has a great relationship with a dog, it really says a lot about him.
The more I got to knew about Paganism the more Pagan I became, so to say, but I didn't really know enough until after the creation of Burzum.
I don't care what you say about me anymore! I don't care what you write about me anymore. I don't care! This is my life. I can't have anybody messing with my life. I just want to be Gerry Cooney, doing what I want to do. I want to be what I am. A fighter.
I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.
I think people hear the words 'transcendental meditation' and 'paganism,' and that's almost worse because it's real. Those are real things. Those are absolute energies. Satanism is like Halloween. Transcendental meditation and having a realization of how we really are - whether we want to be or not - we live in a pagan culture.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
I've been in a Reds' uniform, in Cincinnati, owning a house here, part of the community. I cross paths with tons of people. Every time it's about 'let's win, let's keep going, let's win a championship here.' And the support has been tremendous. And I want to be a part of the team that gives that back to the community.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
I was trying to be someone for the first part of high school. I was kind of this nerdy kid who didn't want to be a nerd anymore. Even talking about it, I'm embarrassed. I'm like, 'Ugh, why did you care what people thought?'
I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.
I always have to remember that I am the narrator, but it doesn't have to be about me. A lot of songwriting is about trying to use what part of me is valid in telling the story. I don't want to overcook it, you know? Sometimes it seems that's really where the work is.
The world is made up of the big things and the small ones. And the part that's so unfair is that we call them 'big' and 'small' because when something happens to you, when you loose something or someone that your really care about, that's all there is. The world may be blowing up around you, but you don't care about that. You don't care about that at all.
Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
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