A Quote by Brendan O'Carroll
People have really taken Mrs. Brown to their hearts. I think she reminds them of their own mammies... Fierce and scary but full of love.
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For many people, Mrs. Brown has come from the middle of nowhere. But Mrs. Brown was first written for radio. I wrote it for a radio series in 1992. It was a five-minute piece for radio, and it's been absolutely astonishing.
I don't know the secret of Mrs. Brown, but what I do know is that there are things that Mrs. Brown says and does that Brendan O'Carroll couldn't get away with. I think maybe it's a leniency that they're with an old woman. It's the old woman thing. I think secretly we all just want to be Joan Rivers.
My mother says that when Mrs. Rowley is mean, which is generally the case, it is really because she is just unhappy, and who could blame her with a husband like that . . . She says this is really the only reason people are ever mean--they have something hurting inside of them, a claw of unhappiness scratching at their hearts, and it hurts them so much that sometimes they have to push it right out of their mouths to scratch someone else, just to give themselves a rest, a moment of relief.
Most people think of love as some sort of power outside of themselves that will "take them away from all of this." Sadly, this is not the case. Love exists only within our own hearts, and to have happy relationships we must first become truly loving people. And as we fill our hearts with love by expressing love for others in thought, word, and deed ("acting as if" until we make it happen if necessary), that love can heal our own lives, help to solve our problems, and enable us to feel good about ourselves.
I want to convey that there is hope? that we're a world that is in turmoil but there is hope. I'm always amazed at how much love is in people's hearts even when they disagree about things. I think it's important for people to come together in music. It reminds me of the Margaret Mead saying, 'Never believe that a few caring people can't change the world. ' I think that's really true.
To-day the woman is Mrs. Richard Roe, to-morrow Mrs. John Doe, and again Mrs. James Smith according as she changes masters, and she has so little self-respect that she does not see the insult of the custom.
You hope that the same people are coming back. I love playing with Angela [Bassett]. She's fierce. I met her years and years ago when she was a student at Yale, so to see her do these fierce roles and go on to [be] this powerhouse has just been awesome.
I think one of my highpoints was definitely well, everything started turning around on Barry Manilow week. I had so much fun on disco week, love disco music. I think I picked some songs that really worked for me and people really enjoyed them. I loved doing the Donna Summers song and she was the guest judge, and she was the guest judge and I felt honored. She said she loved the song and said I made it my own.
We used to have a photo of me in full clown makeup taken when my son was 5. And when he was 17 or 18, he said, 'Yeah, that thing used to scare me. I hated that photo.' So it is scary; clowning is scary to people.
Here it is,' Nigel said. Mrs D, Mrs I, Mrs FFI, Mrs C, Mrs U, Mrs LTY. That spells difficulty.' How perfectly ridiculous!' snorted Miss Trunchbull. 'Why are all these women married?
Taylor Swift dates guys so she can write a breakup song about them. I don't think she's dating for love - I think she's dating for creativity. So let's get her off the market and put her in dating detox. If she really wants love, she has to stop writing music about them.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
I think if I had known then what I know now, I would have been a lot more relaxed. I'm really happy with the result and I think Bjorn helped me take it in directions I couldn't have taken it in myself. It is a scary thing to be putting it in other people's hands, but it's really necessary sometimes.
She should have remembered that people have given everything they own, everything they are, to be taken care of, and to have their pain gone. It's the lure of cults: the promise of a good family; it's what people think love is, but love isn't absence of pain, it's a hand to hold while you're going through it.
Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.
[Tyson] looked him over with that massive baby-brown eye. “You are not dead. I like it when you are not dead.” Ella fluttered to the ground and began preening her feathers. “Ella found a dog,” she announced. “A large dog. And a Cyclops.” Was she blushing? Before Percy could decide, his black mastiff pounced on him, knocking Percy to the ground and barking so loudly that even Arion backed up. “Hey, Mrs. O'Leary,” Percy said. “Yeah, I love you, too, girl. Good dog.” Hazel squeaked. “You have a hellhound named Mrs. O'Leary?” “Long story.
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