A Quote by Brendon Urie

I like to see how other people work and be part of their stuff and see what I can do to be part of their worlds. Its a pretty big challenge, and that excites me. — © Brendon Urie
I like to see how other people work and be part of their stuff and see what I can do to be part of their worlds. Its a pretty big challenge, and that excites me.
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
I try not to see new comics - their acts or their films. Part of that is professional. I don't want to be influenced. But another part is fear and jealousy. I'm afraid to see how good they might be. I don't like that emotion, but it's part of me.
You can see the cruelest part of the world, the cruelest part. But then on the other side, you see the most beautiful part. Do you know? It's like you go from one extreme to the next. And they're both worth it because you wouldn't see the one without the other one. But that cruel part is damn cruel and you'll never forget it. But that heaven is heaven.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
My work is a part of me and I know it. I have no reason to try to pick one part of me out from the rest. I only see my work, or rather I should say I see my work only telling my part of the human experience.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
We see how beautiful and wonderful and amazing things are, and we see how caught up we are. It isn’t that one is the bad part and one is the good part, but that it’s a kind of interesting, smelly, rich, fertile mess of stuff. When it’s all mixed up together, it’s us: humanness.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
I look back at my filmography, and I'm pretty jazzed with the stuff I've been part of. They're all movies I'd like to see.
For me, my faith is a really big part of my life, and it is important for me to walk it out every day, .. Part of our faith as Christians is the command that we let people see who we are as Christians. I'm doing my part to show who I am and that I'm not ashamed of it.
When you work so much in between starts, you realize how long the season is. It's exciting to look at and be a part of, obviously. It's almost like a challenge, to see how, from start to start, things may feel a little differently.
That's why I like to get out there, and get people to see the other side of Mitt, and know us in a different reflection when you see the family and how funny he is with the boys and with the grandkids. And you know, just what a super guy he is. That's part of what I am doing, is letting people see the other side of Mitt.
[Roland] jerked back too fast to see, and his fist was suddenly connecting with my chin. I didn't pass out, but my body went limp. Part of me was screaming silently. The other part was saying, 'Oh, what pretty trees.
For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to earn I don't put into clothes especially or things like that. I use it as a way of buying time to work. That's how I see money for me. It represents time to be by myself working on these ideas. So in that sense, the work is kind of a surrogate religion, maybe not so surrogate, maybe it is part religion.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
That's how powerful you are, girl...You pretty, but pretty alone is not what people see. You the kinda pretty, the kinda beauty, that's like a mirror. Men and women see themselves in you, only now they so beautiful that they can't bear to see you go.
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