A Quote by Brendon Urie

One of the most frustrating parts about songwriting for me is production, but it makes me want to get better at it and ends up being one of the most rewarding parts of it.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
It's not a lot, but we have 8,000 people following us. I get the biggest kick out of it, to hear words that I wrote and chords that I wrote being sung by somebody else. It's a true honor, and it might sound intense, but it's one of the most rewarding parts of the songwriting experience.
One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.
Acting is a craft to me: I just think you get better the more you do it. And then the irony to that is your doing it is not in your control. If it was up to most actors, we'd work all the time, and we'd always get better. But it's not in our control, so we have to wait to be given parts to do.
To me, being in the studio is one of the most exciting parts about being an artist.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
As an actor, you most often play relatively average parts, so to get to play extreme versions of anything, those are the most exciting parts.
It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
I believe that the universe is one being, all its parts are different expressions of the same energy... parts of one organic whole.... (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars; none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it, and to think of it as divine.
The power of mistakes enables us to reframe creative blocks and turn them around...The troublesome parts of our work, the parts that are most baffling and frustrating, are in fact the growing edges. We see these opportunities the instant we drop our preconceptions and our self-importance.
With most of my books, there are some parts that pop up right away, and other parts I have to wait for.
The most rewarding thing for me is people coming up and thanking me for being a great character guy for their kids; for being a class act off the field. That is the kind of person I want to be. It's very fulfilling.
While I love working on dramatic characters and stories, it's comedy that I love the most. For me, it's incredibly rewarding to make a person laugh. Laughter is one of the greatest parts of life.
The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
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