A Quote by Brendon Urie

I like... piecing things together because it gives you a product that you would never have come up with just sitting down and writing on a blank slate. — © Brendon Urie
I like... piecing things together because it gives you a product that you would never have come up with just sitting down and writing on a blank slate.
I got to college and saw all of my friends going to these other schools and thought, 'You know, college is just a blank slate.' And I had an opportunity to go to different schools, but I chose Brown because it was unique and allowed you to be yourself as an individual and like I said, it's a blank slate.
I'm still undisciplined in the fact that I'm not writing anything down. I just get these lines and start piecing it together and then going back.
The writing process is the time where nothing's been set in stone. It's a blank slate, or a blank page.
Prowling about the rooms, sitting down, getting up, stirring the fire, looking out the window, teasing my hair, sitting down to write, writing nothing, writing something and tearing it up...
I honestly think if I had made a ton of money as an actor, I wouldn't have done anything else. (Hah!) Then I turned to writing plays. If that paid me well, I don't know if I would have turned to TV. Or coaching. I've now devised a combination of things partly because I'm having fun, and partly because I'm piecing together a way to make a living.
Whenever I finish a book, I start with a blank slate and never have ideas lined up.
My mind is changing all the time. I can't live in a space that has a fixed aesthetic. I just need a blank slate when I come home.
In 2019 folks were coming across the border and were sitting down, they were sitting down waiting for Border Patrol to come up because they knew they would be released within a matter of hours if not days into the interior of the U.S. and that was the goal.
The writing process is not just putting down one page after another-it's a lot of writing and then rewriting, restructuring the story, changing the way things come together.
As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean.
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair - the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
In general, fakirs, like scribes and potters, are sitting down, when he's standing up, a fakir is just like an other man, and sitting down, he'll be smaller than the others.
I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.
I feel like I turned down a lot of things that I wish I hadn't. But you never know when you're younger. I don't have regrets about certain things I turned down. Those films would have required things of me that would have been challenging, and they ended up being really good movies. But I was never a careerist, I never thought in those terms. I'd be like, "Oh, I'm tired. I don't want to work."
Blank-slate friendships were thin and temperamental. She knew that. There was no history there to cement people together, for better or worse.
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