A Quote by Brendon Urie

I recorded 'The End of All Things' right before I married my now wife. We had no vows publicly, so I wrote her this song and told her, 'This is how I see our relationship.' — © Brendon Urie
I recorded 'The End of All Things' right before I married my now wife. We had no vows publicly, so I wrote her this song and told her, 'This is how I see our relationship.'
If you're married, and you have a wife, and you really love your wife, is it good enough to only say to your wife 'I love her' the day you get married? Or should you tell her every single day when you wake up and every opportunity? And that's how I feel about my relationship with Jesus Christ is that it is the most important thing in my life.
They had met at a club fifteen years before, Etta and Magnus. He had convinced her to dance with him, and she said she had been in love by the end of the song. He told her he had been in love before the beginning.
I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.
This person had arrived, he had illuminated her, he had ensorcelled her with notions of miracle and beauty, he had both understood and misunderstood her, he had married her, he had broken her heart, he had looked upon her with those sad and hopeless eyes, he had accepted his banishment, and now he was gone. What a stark and stunning thing was life- that such a cataclysm can enter and depart so quickly, and leave such wreckage behind!
For Valentine's Day, I wrote my crush a song and had it professionally recorded. I never released it, though, because I wanted it to be a song just for her. I thought it would be more special that way.
My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?
She should want to see me. If I had said how I feel about her, she would miss me even more. All this time, I've been breaking her heart by keeping her wait, yet I can't still appear before her eyes. I never want to see her cry anymore. Even if it means I no longer exist in her heart. How immature of me, right? -Kudou Shinichi
Backstage at the Grand Ole Opry, I got on my knees and told her that I was going to marry her some day. We were both married to someone else at the time. ‘Ring Of Fire’—June and Merle Kilgore wrote that song for me-that’s the way our love affair was. We fell madly in love and we worked together all the time, toured together all the time, and when the tour was over we both had to go home to other people. It hurt.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
The tune 'All My Friends,' we recorded because our friend who wrote the song, Scott Boyer, passed way, and Gregg Allman had passed and he had recorded the song on his first solo record.
Don't get married until you're certain that you're marrying the right girl. How did I know my wife was the one? I'd seen her for a couple of months. I liked her. She was a very creative person and she had a very good grip on politics and business.
I wrote '('Til) I Kissed You' about a girl I met in Australia. Her name was Lilian, and she was very, very inspirational. I was married, but... I wrote the song about her on the way back home.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
a few days ago she had been wandering around with a swatch of black silk tied over her eyes. Syrio was teaching her to see with her ears and her nose and her skin, she told him. Before that, he had her doing spinds and back flips. "Arya, are you certain you want to persist in this?" She nodded. "Tomorrow we're going to catch cats." "Cats." Ned sighed.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
When we were getting married the Hindu way in Arrah, we had an old guest who asked my wife what her 'good name' was. I think she'd heard that I had married a Muslim. When my wife said, 'Mona Ahmed Ali,' the lady looked at me and exclaimed, 'Oh, so you've married a terrorist.'
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