A Quote by Brene Brown

Maybe stories are just data with a soul. — © Brene Brown
Maybe stories are just data with a soul.
Data are just summaries of thousands of stories - tell a few of those stories to help make the data meaningful.
Data, I think, is one of the most powerful mechanisms for telling stories. I take a huge pile of data and I try to get it to tell stories.
Gaga came to me, and I just could not find a soul. I come from church; maybe that has something to do with it. I like to get to the soul of a person. I just didn't feel a soul.
I think that whatever we encounter in life, we want to encourage a balance between the mind and the soul...and that is to consider about 50% data from the mind and 50% data from the soul. This is what Buddhists call, "the middle way."
Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.
I'm going to say something rather controversial. Big data, as people understand it today, is just a bigger version of small data. Fundamentally, what we're doing with data has not changed; there's just more of it.
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
There are a number of fascinating stories included in 'The Human Face of Big Data' that represent some of the most innovative applications of data that are shaping our future.
Maybe it's like Casey says. A fellow ain't got a soul of his own. Just a little piece of a big soul. The one big soul that belongs to everybody.
We are told not to privilege one story above another. All the stories must be told. Well, maybe that's true, maybe all stories are worth hearing, but not all stories are worth telling.
Predominantly I've worked with Blumhouse, and they've been really great to me. We are extremely grateful for employment. But maybe my dark soul attracts these darker, horrifying stories. But I don't particularly close myself off to any employment - any stories, I should say.
Go out and collect data and, instead of having the answer, just look at the data and see if the data tells you anything. When we're allowed to do this with companies, it's almost magical.
An interface can be a powerful narrative device. And as we collect more and more personally and socially relevant data, we have an opportunity, and maybe even an obligation, to maintain [our] humanity and tell some amazing stories.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
And he found himself thinking that maybe stories don't just make us matter to each other - maybe they're also the only way to the infinite mattering he'd been after for so long.
Food's not done until it yields something, maybe its soul or maybe just its secrets, and how long you're willing to wait for that to happen is a secret all your own.
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