A Quote by Brent Faiyaz
I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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You will feel better in ten sessions, look better in twenty sessions, and have a completely new body in thirty sessions.
You do, mostly, in track, different sessions, sprinting and medium sessions in different style. You have to see that even if the pace is slow in championships, you can still sprint well and you can still power the last 200, which is always the main part when the race is slow.
I was never pushed into the business. I wanted to play the guitar. When my dad found out I could play pretty good he took me into the studio one day. I did my first session for his label. We did quite a few sessions up there.
I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.
The water was like a physiological stimuli to the subconscious that overwhelmed people with too much psychoanalytical material, you might say. People could do 10 breathing sessions without the water, and then they did breathing sessions in the water.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
The New York Times ran a story about [Jeff] Sessions meeting the Russian ambassador, and they ran Claire McCaskill's tweet excoriating Sessions for doing this and saying that he should resign. Well, then it was produced that Claire McCaskill had, in fact, sent two other tweets where she was bragging about having spent time with the Russian ambassador. So the New York Times, rather than print that, just removed her from the whole story.
I became interested in the delay, having sounds recorded and played back and then come back. I did many different configurations of sending signals from one track back to another track, or to the same track, or crisscrossing them and so forth. I worked on masking the delays so when I played into the machine, I would make long tones and collect sounds in such a way that you didn't hear the delay, although sometimes you did.
I did speak to a counsellor after hitting rock bottom. It really did help, talking to somebody that didn't know me and just pouring my heart out to them in a few sessions.
I have phone sessions with my therapist, who is in New York, constantly, just to talk and get it out.
I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.
I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.
I work while I'm on the move, so I'm able to book sessions in different cities.
My babies and I benefited greatly from our nightly bonding sessions and co-sleeping arrangements, and I'm glad I did it for as long as I did.
Just classic immigrant story - I mean, child of immigrant story - did not grow up with cable and so felt constantly like I was being spoken to in a foreign language when I would go to school. And people would be like, did you watch this? Did you watch that? I'd be like, no, but I did watch 'SNL.'
It depends on the arrangement. It could take 3 hours, it could take 3 days, it could take a week. 'Thrift Shop' took one arrangement session. We did it all in a circle that day. 'Evolution of Music' and 'Evolution of Beyonce' took a bunch of different sessions.
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