A Quote by Brent Faiyaz
When you're initially making music, you're kind of just shooting at the air.
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I really don't want to be part of just one group. I'm interested in doing everything - making music videos, shooting campaigns, having -gallery and museum shows, making movies. Everyone wants to put you in a box, and I'm afraid I'm not that kind of person.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.
Whichever kind of music I was making it was all about the melody anyway. The kind of music I'm making now is the way it is because I'm being 100% honest with myself.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
My career is a burden, but I can't just fade out like a pathetic sore loser. More often than not, I'm just making a fool of myself for the hundredth time, and that wasn't part of the plan, initially. I'd be happier not having any kind of public presence whatsoever and just hiding behind the sleeves of the CD.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
[The doctrine of air] I was led into in consequence of inhabiting a house adjoining to a public brewery, where I at first amused myself with making experiments on the fixed air [carbon dioxide] which I found ready made in the process of fermentation . When I removed from that house I was under the necessity of making the fixed air for myself; and one experiment leading to another, as I have distinctly and faithfully noted in my various publications on the subject, I by degrees contrived a convenient apparatus for the purpose, but of the cheapest kind.
I've always felt that if I ever got cynical, I would have to stop making music because I'd just be poisoning the air.
In general, the musicians we met that made the most sense just said to do what feels right and try not worry about what other people think. I know that sounds stupid and simple. I feel like Neil Young has done that and he's still making albums. He's one of the people I really look up to as someone who has kind of stuck to their guns their whole career. Just making music for music.
When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.
When I initially met with Robert I was just so excited to meet the guy. I was able to go to Troublemaker Studios in Austin, Texas and just hanging out was fantastic. Working on this took up all of my weekends while I was shooting Community. It was crazy, but again, no regrets.
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