A Quote by Brent Faiyaz

Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing. — © Brent Faiyaz
Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.
That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.
When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'
How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.
'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.
I approached my career like a rapper. I would go to every open mic, every studio session, bringing my beats. I would almost do exactly what a rapper would do to get on.
I tried to be a rapper. I tried to make beats before I got into comedy, and that's still one of my hobbies.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
Ever since I was a little kid, I got bored, so I learned to sing, and I started singing lessons. And then anytime I was bored, I would start writing and start messing around on my computer, making beats. Then I got bored and started making YouTube videos; that changed my life in a big way.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
I realized I was tired of singing about trees and flowers. I wanted to sing about real life. From then on, nobody could tell me anything was better than blues.
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