A Quote by Brent Runyon
Maybe I would have become an actor. I was a very outgoing kid, but being in the hospital - being outside of social action for so long - turned me into an observer. Actually, right after I got out of the hospital, I did start writing a novel, but the book was so transparently about me that I stopped.
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About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I got really, really sick with a spinal infection that put me in a hospital for a couple of months, and it was touch and go. I had my guitar with me, and as soon as I got well enough to play, there was nothing else to do in that hospital. The nurses would come in and request songs.
The Lord givith and the Lord takith away. I was given a lot of signs from the universe and looking at it in retrospect made me feel like God was telling me I needed to follow my dream. My granny getting in that car accident and being at that hospital when I was going there to see my girl... that whole part of the story where I go to the show and come back to the hospital... and it was almost like as soon as I found out that my granny didn't make it as soon as I got back, I also found out that my son had just come out.
Being a novelist and being a mother have exactly coincided in my life: the call from my agent saying that I had a contract for my first novel - that was on my answering phone message when I got back from the hospital with my first child.
Being competitive is in my nature. I actually think being competitive saved my life. It's given me the constant drive to be better, and when I was in that hospital bed and that wheelchair, it made me want to get better.
I was very blessed with a good body. Never got hurt. Never was in the hospital. The only time I was in the hospital was when I would get exhausted a little bit, and go in for a check-up or something.
I don't remember being put into the coma, but I do have a lot of weird memories from being under. This may be because I was in a coma via medicine rather than trauma. That time period played out for me as one long rambling dream where I was at a hospital to visit my boyfriend, who I thought was in an accident.
I remember being in high school and this guy saying to me, 'You'd actually be good-looking if you didn't joke around so much.' That affected me, and so I stopped joking around, and I stopped being a goof because I thought people would like me better.
I had a personal experience of my mum being in comatose state in 2004. I would go to the hospital every day but would not do anything. I would just meet the doctor for five minutes who would update me about her.
I worked at a hospital parking cars and getting folks in and out of the hospital as they would come in for their appointments.
I did 'Nobody Walks' right after 'Dredd.' Well, actually, I got off the plane from Capetown where we shot 'Dredd' and tested for 'Being Flynn' that same day. Then I came out to L.A. to make this film right after that so it was all very back to back.
If I had not played basketball and made the millions of dollars that I had made, I would never have been able to build a hospital in Congo. It started in 1997, and 10 years later I was able to unveil the Biamba Marie Mutombo Hospital, named after my mother, in my hometown outside of Kinshasa. It was such a blessing.
I saved letters from my boss. There are things in there that are directly transcribed. I was so glad I did that. Sometimes when I was writing the book I wondered if some little writer hobbit part of my brain was back there puppeteering that action. But it really never, on any conscious level, occurred to me that I would write about it. I will say, I thought probably some day there would be an ancillary character in some novel - not in the one I was currently writing - that would be a dominatrix or something.
maybe she had become tired of being the girlfriend of a condemned man. It also occured to me that maybe she was sick, or dead. These things happen. [...] Anyway, after that, remembering Marie meant nothing to me. That seemed perfectly normal to me, since I understood very well that people would forget me when I was dead.
But after I got them to leave and shut the door and turned off the light it wasn't any good. It was like saying good-by to a statue. After a while I went out and left the hospital and walked back to the hotel in the rain.
For me, a lot of Discipline was very personal writing, like writing through and working out being inside this gendered body and also the compulsions of the body, the muting of the mind as driven by the body. My father had died some years ago so he haunts the book too, just floats through it ghost-like. But, the writing of every book is different for me. They are so like living creatures, these books, so I don't know what's carried over into the writing of the next things - except maybe that I'm best when I make my writing practice a routine.
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