A Quote by Brent Sexton
To me, any character that is conflicted inside as well as outside of themselves is always a better role to play.
Related Quotes
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
I never studied acting, yet the first time I auditioned and did a cold reading, I surprised everyone for my honesty and limpidity. They told me I could play any role because I have no walls, I don’t put anything between me and the character I have to play.
Whatever my role is on each play, that's just what I have to do. I have to do my job. That's pretty much it, regardless of whether it's inside or outside.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
I loved my role on Who's the Boss? There is always some of me in every character that I play.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
I don't need to be a frontman all the time, and in fact, the older I get, the less of an urge it is inside me to play that role. I've still got it inside me, and I do occasionally allow it out.
No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.
When I was a boy, I choked on a piece of candy outside the kitchen window for a few minutes while watching my parents making dinner. I thought I was going to die, but I didn't want to scare them. Our existence was so separate, a dying and a doing well, an outside and an inside. Trey Moody's poems hover in that cold, wet, refrigerator-lit place between the dying and the doing well, the outside and the inside. His poems are the thoughts of the person you love who is always standing behind you, slowly and silently suffocating. But they're not afraid to say hello, and please, and I'm scared.
It feels very different to have long, thick, brightly colored hair. It makes me feel so conflicted to wear, and I believe showing a conflicted person onstage is actually really interesting and emotionally engaging. I'm trying to not just be the person standing on the outside and looking at something, but to actually be it, in a way.
Well, you know, what's better? To play a character who stays stuck in the same baggage year after year, or to play a character who gets beyond that and goes to a new level?
I don't have any dream role. I give my 100% to every character I play, and when the film clicks, it automatically becomes a dream role.
It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.
Well, Italy is huge for me. I've been going back every summer, not just to see my family, but play with the Italian National Team. So, Italy plays a huge role in my life. It will always play a huge role in my life.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
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