A Quote by Brent Spiner
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
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I came across the script [42], and I read it, and I said, "I really want to do this." And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.
My agent suggested me to EastEnders casting director, Julia Crampsie, who I already knew. I'm delighted that Julia said, He's not old enough is he?' My agent told her how old I really am and she said Oh'!
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.
I had been struggling to get roles in Hollywood for three and a half years after leaving the WWE. Then I finally got an agent - the agent I have now. He's a great guy, but he turned me down three times before he even decided to take me on a as a client.
I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.
I fired a bunch of people and kind of went back to my roots. I fired my agent - I had this big, fancy agent and a big fancy manager and a big fancy lawyer - and I went back to my first agent and said, "I want to go back to just being an actor."
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
When I first went up to see my editor, I was with my agent, and my editor said, 'Well, what have you been doing all these years?' And my agent said, 'He's been in recovery. From his childhood.'
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
My agent said to me five years ago, 'Hugh, I can see one day you... if I had to plan a goal for you, it's for you to have the kind of career that Sinatra had.'
I talked to my agent and said that, basically, I'm the Taylor Lautner of TV. We both have our shirts off a lot. And we have the same agent, so we goof around about it. I'm waiting to open a script and see my shirt on.
I signed with an acting agent first; I wasn't really interested in signing with a modeling agent. But that same day, they said, 'You should go over to Ford.'
I think people feel completely stunted without an agent, but there's a lot of auditions to be had without one and a lot to be learned before you take an agent on.
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