A Quote by Brent Spiner
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.
I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own.
I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.
I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
It's a huge change from when I started in the 1960s, but what is really impressive is that the number of ladies on set, the women working on set is a huge percentage. There used to be no women. It was just the leading lady's mother, perhaps the hairdresser and the makeup person.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
What's really important is how our country gets through Trump period, because nothing's getting done in Washington. Every day it's another set of tweets and another set of controversies. And they're not getting anything done.
When you find out you're working with someone like Jennifer Aniston, you're like, 'Whoa, what is my life right now? ' It kind of doesn't really seem real. I grew up watching 'Friends' and all her movies, and I was so excited to work with her. And then, I met her, and I was like, 'Oh. You're, like, a very relatable human being.'
When you're a screenwriter working on a film, you're not really even welcome on set, even if you know... When I wrote 'Elizabeth' and Shekhar Kapur was a friend of mine, but I wasn't really welcome on set, because the director is God and it's a very difficult position for a screenwriter who's put so much passion into that, into the writing.
My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
I would encourage you to set really high goals. Set goals that, when you set them, you think they're impossible. But then every day you can work towards them, and anything is possible, so keep working hard and follow your dreams.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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