A Quote by Brent Spiner
I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
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Everyone had coverage. You might have like three lines, but there were 10 people, so they would cover each person. Three lines could take 12 or 15 hours, but it was fun because everybody was together. As hard as it was to shoot those scenes, I always enjoyed when we were all together.
The last time the three of us were in the ring together, it was pretty awesome. Vickie, we had a sweet, sexy, passionate make-out session. Dolph you remember! You were there! You were cool with it.
Cisco never had a red quarter. Never. Took us three years to get funding, and in those three years, we were never in the red, and that was because we had two products to sell. They were not sexy or cool, but we had enough of a market that we could generate enough of a cash stream to grow the company.
All I know is it was very easy for us to write the Barb character and I think that, you know, Shannon Purser - who had never acted before - just did such a brilliant job realizing her. And, again, without very many lines - 25 lines. And I think everyone feels like either they knew this girl or they were this girl.
I always have to have sweet and salty. I know some of you are going to say, "Oh, I tried dates. I hate them." That's probably because you had the ones that were on the shelf for three years. Go to some healthy place and get the fresh ones, and you will just love them. You'll start eating them and think they're so good.
I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.
I think D.C. has always been very, very vibrant for food. Like Boston in a way. Boston and D.C. were really the two cities that were the most active with their local chefs and their local food scene.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
I went to the local schools, the local state primary school, and then to the local grammar school. A secondary school, which technically was an independent school, it was not part of the state educational system.
In New Mexico, my local church did a nativity play, and I was cast as Wise Man #3. Of course, Wise Man #3 had no damn lines. Wise Man #1 had all the lines! I stood there thinking, 'I could do that role so much better!' From that moment on, I knew I wanted to be an actor.
There are still things technically about films that I think are a mystery to me and I want to remain a mystery. I don't particularly want to know what everyone's job is because I've got lines to learn.
As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
I think women bring a different perspective and that we tend to be more collaborative in our approach. I served in the Iowa Senate back in the '90s, when there weren't a lot of us. At the time, I think there were five or six women, and two or three of them were Republicans and two or three were Democrats.
Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.
You've written three lines" "Three carefully considered lines,"Xavier objected. "Quality over quantity, remember
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
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