A Quote by Brent Spiner

Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.
It is perfectly right for a gentleman to say "ladies and gentlemen," but a lady should say, "gentlemen and ladies." You mention your friend's name before you do your own. I always feel like rebuking any woman who says, "ladies and gentlemen." It is a lack of good manners.
The woman who wrote the movie [Ladies And Gentlemen, The Fabulous Stains], her name is Nancy Dowd. She's a wonderful writer. She wrote Coming Home. And when I read the script, at that time, I thought, "This movie is going to do for girls what Breaking Away did for boys." I thought it was going to be huge. It was a great script.
I'd like to name my kid a whole phrase. You know, something like Ladies and Gentlemen. That'll be a cool name for a kid. This is my son, Ladies and Gentlemen! Then, when he gets out of hand, I get to go, Ladies and Gentlemen, please!
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
If you know the filmmaker is good and the leading actor is a movie star like Diane Lane, you know you're part of something great.
I did an HBO movie called 'Cinema Verite' where I played Candy Darling. That was really, really cool because I got to meet James Gandolfini and Diane Lane and Thomas Dekker.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
Giancarlo Giammetti has a lot of nervous energy. He's a director, really. He was trying to direct the Valentino movie over my shoulder. I don't blame him - that's been his job for 50 years. But I had final cut in the movie by contract and I wouldn't have made the movie if I had not been completely independent.
There is a movie called 'My Dog Skip,' starring my 'Outsiders' costar Diane Lane. I do not recommend it. If you have a child, particularly one about to leave home, watching this film is to be emotionally waterboarded.
I went to go see 'Final Destination' which you have to be 17 and over to see and they're like 'Uh, we need to see your I.D.' Here's the really funny thing is that I actually had done my hair and makeup that day. If I don't do my hair and makeup I can understand it but I had actually made an effort to look older.
I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?
I was briefly in the original version of 'Tombstone,' but I didn't make the final cut because that movie went through a couple of different permutations.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
The craziest thing about TV directing is I turned in a version, and then they made their final changes - so I don't know what they are. So I'm like, "Ooo, I'm dying to see the final print."
I was going to be credited as Wray Nerely, my role in Con Man. It got cut in the reshoots. I was like, "Wait a second. I'm cut." It's a better telling of the story, but unfortunately, Wray Nerely gets cut, which is actually exactly right because if Wray Nerely was ever in Star Wars, he wouldn't make it to the final edit.
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