A Quote by Brent Weeks

Telling a story is like trying to eat grapes with a fork. It's always trying to get away from you. And if you're a good author, and you've challenged yourself, and you're telling big stories, there's more and more that's trying to get away from you simultaneously.
I need to keep my story count high. I'm trying to get as many stories in my hour as is humanly possible. We're telling more stories in our hour than any national newscast has in the history of this business, I think.
You read a script, you try and think through what is the best, most wide-ranging way of telling the story: who stylistically, character-logically, psychologically fits inside the world of what you're trying to do. A lot of it, when you're casting, is trying to get yourself in the head of a director.
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge.
I've always kind of pushed the envelope in terms of trying to get away with things no one else was going near. I always thought of myself like a mouse trying to get cheese that no one else could get without getting their tail snipped off.
There's a lot of noise in the world. And one of the beautiful things about doing theater and film is the absence of that noise or, perhaps, the adding of that noise where it's helpful in telling the story. I'm always trying to get rid of that noise. The more you do it, the better you get.
What I'm doing is trying to get kids to pay attention, to look at the physical world more, and to question everything. I am trying to get kids out of the house and away from screens.
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge. But, you want to take up that challenge and try your best.
I found very early on when I became a hip-hop artist that I loved telling stories. Actually, when I was trying to get a message across it was more powerful when I told a story, rather than if I used a metaphor or if I preached about an issue. And through doing that I realised that actually these stories were very visual in my head and I couldn't wait to make the videos.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I'm just trying to make the point that the story we're telling ourselves is often very different from the story we're telling the people around us.
I'm a person who's trying to live within divine law, to the best and it's very hard because it's self-discipline, because the more you realise, the more you've got to get yourself straight, so it's hard, you know. I'm trying and there are a lot of people who are trying, even people who are not conscious that they are doing it, but they are really doing things for the good, or just to be happy or whatever.
If it's just me on stage telling stories for, like, an hour, that's great. That's fine. But like a sandcastle on the beach, it gets washed away at night. It's so much more powerful if we can all share our narratives and doorstep moments and make us feel a little less alone. I'm just trying to use social media and new media as a way to capture that.
On the show, we are not trying to get people to eat their vegetables; we are not trying to get people to become Democrats. We are basically trying to encourage people to get involved with public life so that politics isn't left to the wealthy and privileged.
I've been wanting for some time to find a way of stylizing cinema and trying to get closer to the emotional story I was telling and get rid of all the bumph that goes with it and allow the audience a more participatory experience. It was an attempt to do all of those things and to express the idea that all these people were just performing roles in their lives.
A lot of groups spend their whole cultural and aesthetic identity trying to move away from Africa, which I think is a mistake. One of the reasons I love Cuba and cultures like that is because they're not trying to move away from their African roots, they're trying to embrace them. That's part of the culture.
I think those of us who use language are always trying for this, trying to keep everything from floating away by trying to write about it despite failure.
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