A Quote by Bresha Webb

When I played Imunique on 'Love That Girl,' that was on the other side of comedy - loud and out there. — © Bresha Webb
When I played Imunique on 'Love That Girl,' that was on the other side of comedy - loud and out there.
I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.
I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens.
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
I need to be able to hear what is being said to me by the voices I create. Just on the other side of creativity is the nuthouse - and I often notice people looking at me strangely when I am talking out loud, but there is no other way.
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?
Eugene Mirman is the Andy Warhol of comedy. People look to him for what's next in comedy, and he emails these people back promptly. The Will to Whatevs put me in a great mood because I was laughing out loud. Alone. That's hard to do.
I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.
I'm trying to be the Jay-Z of comedy one day. I don't know if there's any comedy moguls out there, but I would love to be the first comedy mogul.
I’m trying to be the Jay-Z of comedy one day. I don’t know if there’s any comedy moguls out there, but I would love to be the first comedy mogul.
I have other tastes besides comedy. I love comedy. I adore it, but I love dramatic movies just as much.
I know that if any other comedian came up to me questioning something I did or said, it would be literally settled in a heartbeat. I love comedy. I give to comedy. I don't take from comedy.
Comedy is not easy to do - where you make someone laugh out loud in their living room.
I played a Siamese girl from Thailand. I played an Arabian girl. I did a lot of American Indians. I never, ever was able to do a part without assuming some kind of accent.
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