A Quote by Bret Bielema
It's hard to train that in practice time. You can make calls, you can make adjustments, but just that pressure, 'This is what it is, this is reality, I need to concentrate on every play,' that's what we've got to get through.
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You can only get so far from an evaluation standpoint in practice, and you know, at some point, you've got to go play and kind of take that next step in the evaluation of just where you are and then grow and make adjustments as you go throughout the year.
The reality, ... is that I need to win games of football. That's where the pressure and the sleepless nights come from. There's a fantasy pressure with this job but none of that matters. I need to make this team into a good unit, need to take it forward, give it a change of pace, need to get it younger and to use the experience of the lads we've got here. I need Lennon and Sutton and people like that to go and show how you handle being a Celtic player.
As a kid, falling was embarrassing. As I got older, I got used to falling and picking myself back up. There's not a sense of failure. It's of disappointment. You train so hard to not make mistakes. When you do, you're learning from that. How do I improve? How do I get better for the next time? Through every failure, there's something to be learned.
You've got to take every single play at a time, every practice at a time. You can't look forward, because you start putting too much pressure on yourself, you start to feel it.
You know, this league is all about adjustments, and the one thing you kinda notice when you're playing every day is how teams make adjustments. Once you start having a little bit of success, they are going to make their adjustment.
I'm not going to make my bed perfectly every time. As much as my mom would want me to make it perfectly every time, if I got to get somewhere, I'm not going to make sure that pillow is just right. My toothbrush doesn't have to be in the same place every time. I'm not OCD about that stuff. When it comes to football, I want to be right on everything.
I feel when I say I can do something and carry this opportunity to make movies, it's because I took the time to study it. A boxer can't just jump in the ring. You've got to practice and practice and practice.
I want to thank my mom, Brenda Rose. My heart, the reason I play the way I play, just everything. Just knowing the days I don't feel right, going to practice, having a hard time, I think about her when she had to wake me up, go to work and make sure I was all right. Those were hard days.
This isnt the time to make hard and fast decisions, this is a time to make mistakes. Take the wrong train and get stuck somewhere. Fall in love, a lot. Major in philosophy, because theres no way to make a career out of that. Change your mind and change it again, because nothings permanent.
You train hard. But when you don't play every week the pressure is even more when you are called up. It's not difficult for me though.
'Toybox' is that kind of game that will stretch your mental capacity by doing very simple things like solving an easy puzzle of shooting aliens. You'll just need to do everything at the same time to make it through alive. Just to make things tricky, the tasks change every week so you can't get used to any set.
If you are serious, and you want to make a living as an author, then you need to hustle. Period. If you can't make that quality, then you need to concentrate on your craft and practice more. One other thing, quality comes with practice. If you are prolific, then you become a better writer because you are writing. The more you do anything the better at it you will become. So in a way, quantity does add to quality.
You've got to make adjustments as you get older.
On indies it's hard to do, but in rehearsals, you make mistakes in rehearsal. It's really hard rehearsing a play or what rehearsal you get on any movie. That's where you get to make your mistakes, and you make big ones. So when you shoot [the movie] or you finally get the play in shape and do it, the mistakes are out of the way. If you're not afraid to make mistakes, then there is no writer's block or actor's block.
And even with traditional fashion models, where it's their job to be a certain size and a certain proportion, you have to make adjustments once you see your clothes on a real live person. Now imagine doing that with more sizes, more proportions. You really have to play with every piece. So timing is a big part of it. You have to make the time.
I don't have pressure on me. I just put pressure on myself to play hard every day.
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