A Quote by Bret Bielema
I've turned down players based on their Twitter handles. I've turned down players based on Twitter pictures.
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I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
Steve Jobs has a saying that A players hire A players; B players hire C players; and C players hire D players. It doesn't take long to get to Z players. This trickle-down effect causes bozo explosions in companies.
I've turned down projects based on raunchiness before.
I don't mind Twitter. But when a kid makes a decision based on how many Twitter followers he gets, that's when I'm about ready to tap out.
I usually need to read emails to actually wake up. I'll read these and Twitter, and my brain will start to get going about what a narcissistic monster I am. I read on Twitter who is talking about me. I'll also start making jokes for the day based on what I read on Twitter.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
I'm not on Twitter for abuse. I don't think anyone's gotten on Twitter so that they can be abused, but people do go on Twitter to abuse people. When that becomes clear then Twitter has a moral duty to shut those people down when they see that somebody is there solely for the purpose of abusing others. Yeah you have free speech, but what you don't have is the right to wield your speech like a cudgel to somebody who has done nothing to earn it.
We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.
I know, it's weird that I've never done a musical. I turned down two of them. 'The Lion King' and 'The Producers.' I turned two of the biggest Broadway musicals down, am I a mess?
I turned down the first script offered to me, and the second. I lay on my back one day under an umbrella, in the garden, reading the third, and wondered why I had turned down the first.
I was going to be a writer, and that turned into journalist. And then that turned into a career in children's literature, which turned into early childhood education, which turned into psychology, which turned into premed, which turned into nursing school, which turned into communication, which turned into marketing and advertising.
This is the weirdest thing. I've been told one thing, that all these guys turned me down, x,y, z. I take to Twitter and some of these guys are like, 'Yeah, I'll take the fight,' then you don't hear anything of it for the next few weeks.
Today, when you look at social media, you see that the narrative can be overtaken by people just from Twitter and Instagram. I know when Ferguson was going down those first few nights, I was watching feeds on the ground on Twitter, not CNN.
I have faith in the players, who have paid me back on the pitch. I have brought in young players because they have a lot of potential. I'm the only one who decides, and I take decisions based on sporting reasons.
Sometimes offensive players get turned into defensive players, which sometimes isn't a bad thing, but for me I need a chance to play more offense.
Twitter is the only brand of social media that I have ever taken to at all. I like the feeling of having my perception of the world expanded daily, 24/7, by being able to monitor the reactions of 100-and-some people throughout the world that I personally follow so I have some sense of who they are. There has never really been anything like that before, at least in terms of the digestible 140-character bandwidth that Twitter is based on. I am able to wake up, open Twitter, and sort of glance across the psychic state of the planet.
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