A Quote by Bret Easton Ellis

I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels. — © Bret Easton Ellis
I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
Advanced cultures are usually sophisticated enough, or have been sophisticated enough at some point in their pasts, to realize that foxes shouldn't be relied on to guard henhouses.
I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author."
I'm not immune to the readers' desires. Sometimes they are my own, because I'm a reader, too. The readers' desire to know what really happened and what didn't. To have a glimpse into what's really the author and what isn't. I think we all have that and I wonder about what it means.
Novelisation doesn't imply the truth. Readers are sophisticated enough to know that.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator's memories and thoughts.
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.'' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
Unfortunately what is little recognized is that the most worthwhile scientific books are those in which the author clearly indicates what he does not know; for an author most hurts his readers by concealing difficulties.
There are many reasons I love novels with multiple narratives. In novels where the events are filtered through the consciousness of a single 'reliable' narrator, I often wonder, is this the whole story? What could be missing here?
The literature Nobel laureate of this year has said that an author can do anything as long as his readers believe him.A scientist cannot do anything that is not checked and rechecked by scientists of this network before it is accepted.
All things in my novels are real for me. Some western critics said that Garcia Marquez's novels are magic realism. However, I believe that Marquez must have experienced everything in his novels.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
In the worst memoirs, you can feel the author justifying himself - forgiving himself - in every paragraph. In the best memoirs, the author is tougher on him- or herself than his or her readers will ever be.
There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.
Spero Speroni explains admirably how an author who writes very clearly for himself is often obscure to his readers. "It is," he says, "because the author proceeds from the thought to the expression, and the reader from the expression to the thought.
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