A Quote by Bret Easton Ellis
Look how black the sky is, the writer said. I made it that way.
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Look at the sky. It’s not dark and black and without character. The black is, in fact deep blue. And over there: lighter blue and blowing through the blues and blackness the winds swirling through the air and then shining, burning, bursting through: the stars! And you see how they roar their light. Everywhere we look, the complex magic of nature blazes before our eyes.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.
The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.
No. I wanted to tell you that I was proud of you." Clary slewed around to look at her mother. "You were?" Jocelyn nodded. "Of course I was. The way you stood up in front of the Clave like that. The way you showed them what you could do. You made them look at you and see the person they loved most in the world, didn't you?" "Yeah," Clary said. "How did you know?" "Because I heard them all calling out different names," Jocelyn said softly. "But I still saw you.
The artist, busy and unsettled, can find a moment's peace - and even whole-being rejuvenation - by quietly attuning to a red sky, a gray sky, a black sky, a blue sky.
Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth.
When I was four, I was a kind of sky worshipper. I would look at the sky, and I wanted to evaporate into the sky - I loved the sky. I loved looking at the trees, just because they touched the sky.
As the children were sitting there eating pears, a girl came walking along the road from town. When she saw the children she stopped and asked, "Have you seen my papa go by?" "M-m-m," said Pippi. "How did he look? Did he have blue eyes?" "Yes," said the girl. "Medium large, not too tall and not too short?" "Yes," said the girl. "Black hat and black shoes?" "Yes, exactly," said the girl eagerly. "No, that one we haven't seen," said Pippi decidedly.
Mr. Olsen in the fifth grade made me want to be a writer. He said, 'Chuck, you do this really well. And this is much better than setting fires, so keep it up.' That made me a writer.
At some point along the way, I stopped being a writer, and I became a black writer. I never used to be a black writer. I used to write 'Spider-Man,' 'Green Lantern,' whatever was lying around. 'Thor,' 'Hulk,' whatever. Now, if the phone rings or when the phone rings, it's almost exclusively some project that has something to do with my ethnicity.
My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world.
The way I look it is hard to look like a normal person. You know, in the streets when I was a kid, people always said I looked strange, and it made me feel unhappy.
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