A Quote by Bret Easton Ellis

With "Taipei" Tao Lin becomes the most interesting prose stylist of his generation... — © Bret Easton Ellis
With "Taipei" Tao Lin becomes the most interesting prose stylist of his generation...
If Tao Lin had been born to Gary Shteyngart's parents and spent his early twenties slaving for pageviews at NewYorker.com, he would have written something like this, the Bright Lights, Big City of the click-here-now generation.
I think I would have been a lot more miserable and discovered a lot less of things I liked if I hadn't had LiveJournal in high school. I think it's interesting how blogging seems to be shaping a new generation of writers. I feel like growing up with the Internet/blogging/other structures seems to be a reason for the similarities people see in Tao Lin's writing and other young writers, rather than direct.
In harmony with the Tao, the sky is clear and spacious, the earth is solid and full, all creature flourish together, content with the way they are, endlessly repeating themselves, endlessly renewed. When man interferes with the Tao, the sky becomes filthy, the earth becomes depleted, the equilibrium crumbles, creatures become extinct. The Master views the parts with compassion, because he understands the whole. His constant practice is humility. He doesn't glitter like a jewel but lets himself be shaped by the Tao, as rugged and common as stone.
Even in a crowded field, it is a rare pleasure to come across a prose stylist like Kellie Wells, whose intellect and language bid one another beautifully to a dance. She dares to be at play in the most unsettling questions of her day. Surely when the present generation of writers shakes down to its unique and irreplaceable voices, Kellie Wells will be one of them.
When humans understand Tao, we understand the Tao within ourselves, not the true Tao. Tao doesn't belong to any one or any place; Tao is natural. It doesn't matter where you go, it will always be there. No one can claim ownership of it.
The most natively interesting object to a man is his own personal self and its fortunes. We accordingly see that the moment a thing becomes connected with the fortunes of the self, it forthwith becomes an interesting thing.
Get people talking. Learn to ask questions that will elicit answers about what is most interesting or vivid in their lives. Nothing so animates writing as someone telling what he thinks or what he does - in his own words. His own words will always be better than your words, even if you are the most elegant stylist in the land.
Whoever is planted in the Tao will not be rooted up. Whoever embraces the Tao will not slip away. Her name will be held in honor from generation to generation. Let the Tao be present in your life and you will become genuine. Let it be present in your family and your family will flourish. Let it be present in your country and your country will be an example to all countries in the world. Let it be present in the universe and the universe will sing. How do I know this is true? By looking inside myself.
The Tao of Jen was very much the Tao of hiding everything that didn't look good. The Tao of Jen is wearing a cocktail dress with underwear with holes in it. The Tao of Jen is all style and no substance.
Yes. The way people behave, the paradoxes, the contradictions. All these things we have to live with and still pretend that everything is only black or white. That, I think, is the most interesting thing in human nature. The fact that we have to do one thing and pretend something else. That’s when it becomes very interesting. If you can literally speak the way you feel, then it’s not interesting anymore. It’s when you have to lie that it becomes interesting.
I think Peter Dickinson is hands down the best stylist as a writer and the most interesting storyteller in my genre.
I am not a great prose stylist. I'm a storyteller. There are thousands of people who don't like what I do. Fortunately, there are millions who do.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.
I think Jeremy Lin is a really interesting player.
I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.
To my mind, most prose poems are more prose than poetry. They don't possess most of the qualities of a poem.
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