A Quote by Bret Easton Ellis

Writing a novel is not method acting and I find it easy to step out of it at cocktail hour. — © Bret Easton Ellis
Writing a novel is not method acting and I find it easy to step out of it at cocktail hour.
A lot of people will tell you the first step to starting something new is to have an idea. But to me the first step starts long before that. The first step to acting like an entrepreneur is to look not at the writing on the wall but at the spaces between the writing. It's in the gap between what's being said and what's not being said that entrepreneurs thrive. The way to get going is to find the courage to take your dream out of your head and put it to the test in the real world. Don't just think it; act on it.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
I've been acting for so long it's more like - I won't say easy, exactly, but there's not the same angst with writing that comes about with acting. Writing - particularly when you're writing yourself, when it's you, when it's your life, you really can't hide.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
There is no easy method of learning difficult things. The method is to close the door, give out that you are not at home, and work.
The strange thing about writing is that it's so easy to write a novel. It is really easy. But it's getting there to the point where it's easy that's hard. The hard part is to get there.
I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
I always liked dancing and you'd go to class and find you had an hour acting and an hour of ballet.
I consider myself a method singer, not a method actor. I applied method acting to singing.
Method acting is a label I don't really understand, because there's a method to everybody's acting.
There's a joy in acting that's not present in writing, but there's a gratification in writing and creating that you can't necessarily find in acting.
In the 1930s, anyone of any sophisticated status owned a cocktail shaker. Distinctive ones are easy to find.
The separation of Science from Knowledge was effected step by step as the Subjective Method was replaced by the Objective Method: i.e., when in each inquiry the phenomena of external nature ceased to be interpreted on premisses suggested by the analogies of human nature.
All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.
I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.
Arrogance, ignorance, and incompetence. Not a pretty cocktail of personality traits in the best of situations. No sirree. Not a pretty cocktail in an office-mate and not a pretty cocktail in a head of state. In fact, in a leader, it's a lethal cocktail.
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