I always had a much softer approach to my interviews and promos. I was not so much that wrestler that was yelling at the screen; I was always the one that was talking to my fans.
If you follow my MMA career, I've always been the pro wrestler of women's MMA, coming out with a guitar, saying crazy things on interviews, promos and such.
I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
To me it's so much like Spaced in that way. Um, which I love so much, so I think fans of that and fans of the comics are going to really see that up on the screen.
Always let your work talk for yourself. No matter how much you give interviews or how much you are written about, it is always the performance which counts.
Under a pulsating full moon, the gussied-up Billie Jean King National Tennis Center seems much softer and prettier at night, with the fountains bubbling and fans without tickets to the big stadium sitting in the plaza and watching a big screen.
Paul Heyman has always been the only guy from the office that ever really had my best interest and really understood me. The other agents and promoters seemed confused why the fans liked me so much, because I was so non-typical for their idea of a wrestler, so they just tried to capitalize on it without owning it.
That's a battle we are always fighting whenever we cut trailers or promos for films. We always wonder how much to say, and every filmmaker wants to say the minimum. You don't want to reveal your film and ruin the viewing experience.
I would watch a lot of old tapes of David Letterman doing his talk show and a lot of interviews. I never had a mentor in my career because my approach has always been so different. Letterman stayed true to who he was, and his staff was always fantastic, so for me, that was always important.
My relationship with God has gotten so much stronger. He's always had his hand on me. He always guided me. I didn't always go where he wanted me to go. But He always had me. Now that I'm actually listening and being obedient, life is so much better.
NBC producer Dick Ebersol always taught me that if you can show the fans what the players are like - and get the fans interested in them - then they're more likely to watch. I've always taken that approach.
In 1999, when Ted Williams came out and saluted the fans at the All Star Game at Fenway, I had a huge lump in my throat, and the producer is yelling in my ear to talk, and I couldn't, thankfully, and it was much better.
Music changes every three months. There's always new artists coming out. There's always new sounds. There is always a new hit coming out. You gotta stay relevant as much as you can and feed your fans as much as you can.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
I think, in a way, I've returned to who I used to be as a global correspondent whose life was devoted to really making a difference, illuminating what's happening in the world, always drawn toward the suffering of peoples and cultures and exposing exploitation and injustice; but now I'm the same person in a much, much softer iteration.
There is such a thing as tempting the gods. Talking too much, too soon and with too much self-satisfaction has always seemed to me a sure way to court disaster. The forces of retribution are always listening. They never sleep.
As far as I remember, I was always a big eater. I eat just as much as the wrestler guys.