A Quote by Bret McKenzie
Sometimes when you play music, you start thinking, "This is rocking!"
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When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
I didn't set out to win Olympic medals, to play at UConn, to play in the WNBA. I just loved to play basketball. It's really very simple. Then when you start thinking about those other things, that's when thinking gets complicated.
When people start thinking of you more as a persona, they are less inclined to allow you to move into different areas. Sometimes they're wrong. Sometimes they're just very stereotypical or restricted in their own thinking of what they'll allow you to do.
Stop thinking about the audience and what they may be thinking of your music. Just play the music.
Jebediah Woodley is one of those guys that when I'm sitting in my rocking chair one day, thinking back, I'll remember that guy. He was a fun guy to play.
My formula is not thinking about what I'm doing; it's about still having fun and making music. I don't go into the studio with a thought pattern or certain goals in mind - sometimes I'll start with drums, other times I'll start with the piano - but it's all done spontaneously, so nothing is premeditated, and nothing takes a long time.
I start thinking about life after death. I've got to quit thinking about it because it's very deep. Very deep. Sometimes you start thinking about it, and you don't feel like you want to be alive, so I don't like to get all quiet.
Sometimes when I'm writing I'll play Cole Porter, just because the rhythms and the lyrics are so perfect that it's like having a smart partner in the room. I have a huge collection of music that I listen to when I'm writing, and I also prepare a lot of music before I start directing. I put it all onto an iPod that I have with me on the set. It's helpful to the actors, because for an emotional scene, I'll play it and say, this is how it feels, to keep us in the zone.
When I play my own music, or when I play new music, there's much more stress and intensity of thinking about how I'm going to make it work!
I am not thinking about World Cup and all those things. You can't play freely if you start thinking like that.
The first thought is always about making the playoffs. That's the tough part. And once you get there, only then you can allow yourself to start thinking how you are going to play in the playoffs against other teams. And a lot is left to chance then. There's an element of luck as well: sometimes you get lucky, sometimes you do not.
I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.
I've had so many young girls come up to me after a show and say, 'How do I start putting my music on Bandcamp?' or 'I used to play music, but I don't anymore, and I really want to start writing again.' That's just the most amazing feeling.
If you think of dramaturgy in North America, which is so realistic and so literal sometimes, sometimes what theaters - especially dramaturgs - ask for is more information, which sometimes can really weigh down a play. There's only so much information a play can have. If you start putting in so much information, it becomes something completely different, it doesn't sing.
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