A Quote by Bret Michaels

The video for 'Ride the Wind,' we shot that in Detroit. We shot it at Joe Louis Arena two nights in a row. — © Bret Michaels
The video for 'Ride the Wind,' we shot that in Detroit. We shot it at Joe Louis Arena two nights in a row.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
Holy Ghost! wears its influences proudly: Look no further than the duo's video for 'I Will Come Back,' a shot-for-shot remake of the music video for New Order's 1983 single, 'Confusion.'
I love roller coasters that make my stomach drop. One ride in Las Vegas, the Big Shot, straps you into a row of seats and catapults you into the air from the top of the Stratosphere Tower - then plummets back down. I ride it over and over; it's exhilarating.
I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
I'm not a star, man. If a guy came in here and shot you and shot me, we'd both be two dead people. You understand?
There's never been a boxer better than Joe Louis. You'd take one shot from him and you were sure he'd have seven or eight more coming for you. Certainly Muhammad Ali was the greatest man ever to fight, but not the greatest boxer.
Anybody that shoots a hook shot, whatever hand, I jump up and cheer because it's the easiest shot, it's the best tweener shot.
I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.
Some nights I sleep like a baby. Other nights it's, Oh God, I just came up with a bomb shot.
The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
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