A Quote by Bret Stephens

I write my columns pretty carefully. — © Bret Stephens
I write my columns pretty carefully.
I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
You can teach someone who cares to write columns, but you can’t teach someone who writes columns to care.
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
It was quite a process to narrow more than 400 columns down to 80. I write weekly, though, and I don't always write about President [Barack] Obama, so that was the easy elimination.
Those who write the editorials and those who write the columns, they simply are unaccountable. They're free to impose their cultural politics in the name of freedom of the press.
For me, the enemy is procrastination, and losing attention, you know? It's not the writing that's difficult, it's sitting down to write - if that makes any sense. I feel I can write pretty well, and I can write pretty effectively.
I write relationship columns for a couple of publications.
Sometimes I can write very angry columns, but I know that it doesn't work.
Listen carefully to the feedback your readers give you. Dont write unless people want you to write, a lot of people write just because they want to write.
For the movie review columns, I always knew exactly what I was going to write about - the movies.
I write pretty quickly. Write pretty fast. I was an old press service man. That was part of the necessity of that occupation.
For me, one of the most interesting columns to write was about Dick Cheney when he represented the U.S. at a commemorative ceremony at Auschwitz.
I've always thought that the balance between the side of my mind that knows what it is doing and the side that really hasn't got a clue has to be carefully maintained because if you write too knowingly then you get chilly, and if you write too unknowingly you write bollocks that nobody else can understand.
To write long pieces - or not even long pieces - to write stuff like the columns of Red Smith and people like that - they're different then what it is today. Everything today is based on x's and o's. Inside baseball, it's all, 'Who's gonna win?' or you're comparing things - it's not as thoughtful as it used to be.
One has to work very carefully with what is in between the words. What is not said. Which is measure, which is rhythm and so on. So, it is what you don't write that frequently gives what you do write its power.
The newspapers, I perceive, devote some of their columns specially to politics or government without charge; and this, one would say, is all that saves it; but as I love literature and to some extent the truth also, I never read those columns at any rate. I do not wish to blunt my sense of right so much.
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