A Quote by Brett Dennen
I have ideas for songs all the time, but musical ideas, like melodies, really come out when I'm in nature.
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There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
My operas usually come from musical ideas rather than ideas about subject matter.
Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."
I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.
I like to come up with the melodies, and I have a lot of ideas as far as structure goes.
I tend to work on a song, generate ideas, and re-arrange it like five times, and I'm glad I take the time to do that, because I think my original songs come out better.
The melodies come out so strong that I'm like, "Oh, crap." It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
Give the composer time to experiment, time to try out ideas. Also, the time to fail. When the composer has very little time, the temptation is to reach for stock ideas - ideas they know will work and have worked in the past.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
It's really clear to me that you can't hang onto something longer than its time. Ideas lose certain freshness, ideas have a shelf life, and sometimes they have to be replaced by other ideas.
Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.
Ideas are not - ideas come at me all the time; it's just the way I'm wired. It's just a matter of focusing it in and figuring out what to do with that.
If you write, good ideas must come welling up into you so that you have something to write. If good ideas do not come at once, or for a long time, do not be troubled at all. Wait for them. Put down little ideas no matter how insignificant they are. But do not feel, any more, guilty about idleness and solitude.
You cannot write about what people are really like without making a political adjudication. All our ideas of what human nature consists of or how people really feel and experience life are, at their base, political ideas.
I start with a comprehensive list of all the recent songs that have been big hits - and then I go down that list and see if I can come up with funny ideas for them. I can always come up with ideas, but not necessarily good ones!
I usually start from the most general to the more specific. I'll get an emotional overview for the film as a whole, trying to pinpoint what the musical identity is and come up with thematic ideas - any ideas that identify as succinctly as possible what the film is.
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