A Quote by Brett Dennen
The mountains inspire me because they are just still and they have such a strong, quiet presence that feels very old.
Related Quotes
I think probably one of the important things that happened to me was growing up in Idaho in the mountains, in the woods, and having a very strong presence of the wilderness around me. That never felt like emptiness. It always felt like presence.
Before practicing meditation, we see that mountains are mountains. When we start to practice, we see that mountains are no longer mountains. After practicing a while, we see that mountains are again mountains. Now the mountains are very free. Our mind is still with the mountains, but it is no longer bound to anything.
The old boy network is still very strong and very true. Just look at the stock exchange and how many men and women are there. It is still very much run by men.
I have had a very physical acting career, but on 'Newsroom,' it's not about physicality, but it's about presence. I get to just be. Strong, sensitive, quiet strength can be much more intimidating than the screaming loud guy, and I'm so glad to get to show this side of me, which, to be honest, is a lot like who I really am.
But I do like churches. The way it feels inside. It feels good when you just sit there, like you're in a forest and everything's really quiet, expect there's still this sound you can't hear.
When I was writing 'Bad Behavior,' I was very, very quiet. I would just sit there and listen to people. And if I was out in public, I was usually quiet, and people tended to assume I was stupid because I was a young, pretty girl who's quiet.
It's so crazy because kids that wrote to me when they were 14 years old are still in my life. A lot have gone on to become musicians and artists in their own right who inspire me now.
I'm a very reluctant frontman. I've seen reviews where they talk about my strong presence on stage, but it's nothing I do. It's like the person in a long grocery line who stands out because he's so agitated. He'll have presence, too.
One of the things that I loved about when I met my husband was that he picked me up and he paid - I know that sounds old-fashioned but for me, most of my life, I always would split the bill or would always pay, or I would be very assertive about my independence and my financial responsibility. And I am a very strong woman and very strong-willed - but there was something really great about him taking care of me and treating me and opening the door and driving, and I am perfectly OK with that. And he still does it to this day.
Film team kept me very, very shielded when I was that young, because of course, I was seven years old. You know, you're still kind of reading. It's still kind of like, "Cat." "Dog." "Ann jumped over fence." So I guess in a way it helped me progress in school, too, because I was reading so much and memorizing so much. But they kept me very shielded from everything that was going on in the The Amityville Horror. I didn't know anything, basically, about the film. I just knew that it was a scary film. I wasn't allowed to watch it. I can watch it now, I'm just too scared.
It's good for my fans to be able to connect with me as a person because I am a very normal 15-, 16-year-old girl. I still get in trouble. I still have boy problems and friend problems so it's just very good for my fans to see that.
Loss isn't an absence after all. It is a presence. A strong presence right next to me. I look at it. It doesn't look like anything, that's what is so strange. It just fits in.
Getting to work with Edie Falco and watching her be a quiet presence - but a very powerful presence - and so brilliant and free? That was the first person I saw where I was like, 'I want to emulate that.'
Before I had studied Zen for thirty years,
I saw mountains as mountains,
and waters as waters.
When I arrived at a more intimate knowledge, I came to the point where I saw that mountains are not mountains,
and waters are not waters.
But now that I have got its very substance
I am at rest.
For it's just that
I see mountains once again as mountains,
and waters once again as waters.
At 90, I'm still working a couple of dates a month. My mind is very sharp on the stage, so why not? This may sound corny, but I do it because people - young and old - still come to see me, and they're very enthusiastic about my work. They treat me like the Godfather.
And his eyes frighten me, too. They're the eyes of an old man, an old man who's seen so much in life that he no longer cares to go on living. They're not even desperate... just quiet and expectant, and very, very lonely, as if he were quite alone of his own free choice.
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