A Quote by Brett Gelman

I'm an actor. I've always been an actor. I've always approached all my comedy as an actor. I don't really care about jokes either. I tire of jokes. — © Brett Gelman
I'm an actor. I've always been an actor. I've always approached all my comedy as an actor. I don't really care about jokes either. I tire of jokes.
I've always been an actor. I've always approached all my comedy as an actor.
I thought for a minute about an actor and a musician simultaneously, but I think that's always very loaded as an actor when you become a "slash," and you do an actor "slash" anything. You better be really, really good at it.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
I'm not a comedian. I don't do stand-up. I don't tell jokes. I'm a comedic actor, and approach my work that way. The comedy comes through the character.
As an actor, it's always fun when you're able to feel like there's freedom to explore things and try out jokes and be funny.
I would love to work with Bill Murray. I've always been such a big fan. I think he's obviously a great comedic actor but a really interesting actor.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
I always thought the leading actor should be the best supporting actor, because you're the only person that can help every other actor on the set.
And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
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