Woody Allen - nobody has been a better joke teller than him - and even in his great films, it's always coming out of the character. If you don't have that, jokes are just empty and I think that people rely too much on jokes.
(On returning to Austin to run at his collegiate stadium) It is almost like coming home with the crowd, the people, and it just brings it home for me. For me, it is a very special place, it is great energy, and again I always seem to run very well here. So I love coming back.
People are always coming up to me and saying, 'I heard your dad's speech, and it's really great.' And they'll mention some place I didn't even know my dad was going to.
With the wacky jokes that we do on 'Great News,' you do overall still want to be coming from a place of truth with your character because, otherwise, it's just off the walls.
I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.
Surprisingly, a large number of people who fell out with their partners contacted us, saying that they would love to fly on a Virgle spaceship. But out of April Fools' jokes come real things, and I wouldn't be surprised, within the next 50 years, [if] there are one-way trips heading out into space with people on it. It would be very exciting.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
Katsa hugged her for a long time, and Bitterblue understood that this was always how it would be. Katsa would come and then Katsa would go. But the hug was real, and lasting, even though it would end. The coming was as real as the going, and the coming would always be a promise. It would have to be good enough.
Zen people love Buddha so tremendously that they can even play jokes upon him. It is out of great love; they are not afraid.
There are some people who are naturally talented, who just have it coming out of their ears; they just sparkle with talent. Some people - and I put myself in this category - don't fit a mould. I always looked a lot older. I was as tall as a giraffe, even at ten, but I found my place, and I really worked at it.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
I'm always playing jokes, even on the manager - some, not many. I want to try and keep my place in the squad.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
Some of the most exciting space education in the country is not coming out of Washington or New York or California or even Texas. It's coming from a place in Kansas called the Cosmosphere.
My coming out, like most people's, was and is a gradual process - for no matter how out one is, there are always situations when one's with people who don't know, and one has the choice or, sometimes, the necessity of coming out to them.