A Quote by Brett Gelman

I love 'Seinfeld.' That was not alternative. You can't get more in mainstream than that. — © Brett Gelman
I love 'Seinfeld.' That was not alternative. You can't get more in mainstream than that.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
I like the idea that you would participate in mainstream culture, especially for young girls and young kids who are looking for an alternative. It's not that I'm superior, but I know that my heart is in it more than people who get into music for other reasons.
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
I look at Seinfeld - he looks like he's having fun. He's just enjoying being Jerry Seinfeld, you know, on 'Seinfeld.'
Alternative music is no longer alternative once it’s in the mainstream.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
I watched 'The Sopranos,' I saw a couple of episodes of 'Mad Men.' I loved 'Seinfeld.' In fact, I got some CDs of 'Seinfeld.' 'Seinfeld' was hilarious. Oh, boy. The Nazi soup kitchen? 'No soup for you!'
Radical views that are outside the mainstream generally (but not always) are more reliable than the dominant view because they are more regularly challenged and tested against evidence. They do not get to float freely down the mainstream; they must swim against the current. They cannot rest on the orthodox power to foreclose dissent, and they are not supported by the unanimity of bias that passes for objectivity.
I end up pleading my case to alternative programmers - you're telling me that my music is too dark for pop, too pop for alternative, and urban radio won't touch it - so we have a record that doesn't fit in. And what is more alternative than that?
I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
A lot of people get into alternative music as part of their identity. It's something that isn't the mainstream, that their brothers and sisters don't know about, and that their parents don't like. It's something they can have as their own.
The pilot of 'Seinfeld' was made and dropped. 'Seinfeld' was not supposed to go to series.
I think more people in the mainstream, folks like Nancy Wilson and Luther Vandross, they have openly expressed their love for God, and when mainstream artists start expressing their love for God openly in their concerts and including gospel songs in their concert, and, you know, people started embracing it.
This site uses cookies to ensure you get the best experience. More info...
Got it!