A Quote by Brett Gelman
'Dinner' is completely scripted. There are some improv elements, but I'm not interested in pranking people. It's more like a play than standup.
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Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
I know now for a fact that improv can't hold a candle to doing standup. It's not the same buzz, it just isn't. It feels infantile to me at times. When you see guys who do it really well, great. But improv needs a rewrite.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I try to create a style that reflects my music. So I would say it's definitely got some '90s elements, some pop elements that are a bit more feminine, and then more indie, androdgynous elements.
It is difficult to say why I decided I wanted to be an artist. Obviously, I had some facility, more than other people, but sometimes facility comes because one is more interested in looking at things, examining them, more interested in the visual world than other people are.
I just love to play characters that are layered and that I can relate to in some way, even if they're completely different than me; that I can see a glimpse of humanity and something I'm interested in exploring.
I don't really do scales... I mean, I play parts of them, but then I bail and start playing parts of other things. The term 'scale' feels very scripted to me because I'm an improv player.
We have a full writers' room, and with something like 'MyMusic,' we've scripted it out with professional writers. There is some very basic improv from the actors, but everything is very to the letter, so it's easy to edit down to an episode. There are fun little things an actor might throw in there.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
The performance of buggery is no more inevitable a part of homosexuality than an orange syllabub is an inevitable part of a dinner: some may clamour for it and instantly demand a second helping, some are not interested, some decide they will try it once and then instantly vomit.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
People think "The Office" was improvised, but it's all on the page. We do that because what we found is that in the early days of "The Office," we went in with it sort of 80 percent scripted and we did some things and then we improv'd and we did - you know, and it gets a laugh on the floor because it's the first time they've heard it.
The most depressing thing about blogging is watching so-called 'citizen journalists' turn in to little more than easily offended partisan hacks. Any remark that is slightly less than completely and totally scripted and can give the slightest opportunity to offend some delicate soul somewhere is used to set off a series of partisan screeches and cries of outrage that would make the Church Lady jealous.
I come from standup and improv.
Some people play the piano, some do Sudoku, some watch television, some people go out to dinner parties. I write books.
My view of Sarah Palin is she is the most dynamic figure maybe in politics, even more in some ways than President Obama, who is a little more scripted than she is. He is great with the teleprompter.
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