A Quote by Brett Goldstein

I usually play a softer character. — © Brett Goldstein
I usually play a softer character.

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I was very soft. I gained a lot of weight with my second child and was very on the couch. And [my manager] said, "You know, this is a softer role [in Misteress]. She is a softer character. She's a lesbian that's always the passive half of the relationship."
I'm known for playing bad guys, so this was an interesting departure from what I'm known to play, which is a softer, more likable, affable character.
Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
Women are often pushed into the idea that they write softer, more character-driven jokes.
Sometimes I'm attracted to more odd girls with stronger faces and features or a softer beauty with a lot of character.
Perhaps because my background is theatrical, I have a great affinity with the classics. Hamlet has always been a character of great interest to me and a character I would really love to play. Or a character in a Tennessee Williams play, maybe Tom in 'The Glass Menagerie.'
It's easier to play aggression and malevolence onscreen, often, than to hit softer notes.
All I ever wanted to do was get a great job on a TV show. When I read 'Modern Family' and started looking at what was available - I obviously couldn't play Gloria; I couldn't play Claire. When I saw the character of Cam, I was like, 'I have to have a shot at this,' because I thought it was a character that would be really fun to play.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
Every time I'm a good guy in a movie, which is the 'Marine,' people are like, 'Wow, you can play endearing. You can play kind and nice and sweet but yet hardcore.' And I'm like, 'Yeah. Just because The Miz is a jerk and an egotistical maniac doesn't mean that there isn't a softer side to Mike Mizanin.'
There's nothing more frustrating than seeing a conductor say, 'Play softer,' as they're waving their hands in huge gestures.
In 'Stree,' I play a character who believes that he knows everything. And I play a cop in 'Drive.' It is a different kind of a role. It is not a uniform-wearing character. The film is interesting, since it is a thriller.
I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.
When you play a character, you bring yourself into the character. You get a chance to shine and show your translation for the character and her state of mind.
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