A Quote by Brett Goldstein

The greatest thing about stand-up is that it is the opposite of making a film. — © Brett Goldstein
The greatest thing about stand-up is that it is the opposite of making a film.
We are talking about one of the greatest threats of all. But people can stand up to the school nurse; you can stand up to the teacher; you can stand up to the principal; you can stand up to them with the facts and the right books.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
Stand-up was interesting to me at the beginning, because I was trying to parody it. My early stand-up was really Andy Kaufman-esque, and then I became the very thing I was making fun of.
Louie is hugely talented. But I get very annoyed at the way the media... say, 'Louis C.K. is the greatest stand-up in the world.' He's not the greatest stand-up in the world. He's not funnier than Dave Attell.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
It's a surreal thing because you are there and made up and dressed up as if you're making the film. You do the scene, which is going to be in the film, and I met him [Daniel Craig] and I'm working with the director, and so it is different to just a normal audition.
The first thing to do about an obstacle is simply to stand up to it and not complain about it or whine under it but forthrightly attack it. Stand up to your obstacles and do something about them. You will find that they haven't half the strength you think they have. Just stand up to it, that's all, and don't give way under it, and it will finally break. You will break it. Something has to break and it won't be you, it will be the obstacle.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
The great thing about making a film on a submarine is that it's kind of like making a play. You've got this limited environment.
When you are making the one you are doing, you think it is the greatest film going. And then you do another one and it is a great film.
I'm not concerned about what [Donald Trump] says about me. That doesn't matter to me. I'm going to stand up for immigrants. I'm going to stand up for American Muslims who are working hard in this country that they love and consider their own. I'm going to stand up for other women. I'm going to stand up for the right to choose.
It's probably the last thing you think about when you're making a film is other people's problems. You're thinking about your problem, which is making the movie. But you do have a responsibility. You can't mess around with people's emotions.
The most frightening thing about playing Dick Gregory is I've never done stand-up before, and I had to learn how to be a stand-up comedian, which was a bit of a challenge.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
I was hoping for big TV, film, and this and that, but stand-up was the only thing I knew.
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
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